For The New Yorker, Jill Lepore brings a critical eye to the memoirs of 2020’s Democratic presidential candidates, comparing the lyricism and romance of Pete Buttigieg’s Shortest Way Home to the force and anger of Elizabeth Warren’s This Fight Is Our Fight to the less inspired liberal-cum-Republican coming-of-age narrative in Ronald Reagan’s Where’s the Rest of Me? “Most of the books,” Lepore notes, “are not great books, and some of these people just don’t seem like good people. That doesn’t mean they wouldn’t make good Presidents, I guess, but it raises a question: Why do they write this stuff?” What are political autobiographies really for?
Democrats and the Written Word
Weather Advisory
“These are not stories about the weather, these are stories about life and death.” Over at Ploughshares, E.V. De Cleyre considers the weather in contemporary literature.
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The Problem with “Brave”
On odd reading habits, the problem with “brave” writing and being a writer in LA: an interview with Meghan Daum, whose essay collection The Unspeakable was reviewed by our own Hannah Gersen.
Romance Incarnate
The best way to celebrate May Day? Read Tennyson‘s “The May Queen,” become “Romance Incarnate.”
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“And gladly wolde he lerne, and gladly tweet.”
Henry Eliot, playing the Host, led an expedition of 24 pilgrims on a modern-day, multimedia reenactment of Geoffrey Chaucer’s The Canterbury Tales. You can check out their recap complete with pictures, audio, and video over at The Guardian.
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Still not bleak house.
Laura Miller wants us all to stop calling The Wire a Victorian novel, because it is in fact a television drama.
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Harper Lee Sues Museum
The Guardian reports that Harper Lee is suing the local museum in her Alabama hometown. The octogenarian author of To Kill a Mockingbird, who currently resides in an assisted-living facility, claims that the museum is profiting off her fame without providing her due compensation.
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Bart the Streamer
Following the news that The Simpsons will now be available for online streaming for the first time, Myles McNutt makes the case that the world needs a Simpsons Clip Database. He justifies his sentiment by pointing out that “in a world where Simpsons references are a language for a certain generation, the ability to stream this content has tremendous value, and could push use of an app that otherwise would struggle to compete with services like Netflix.”
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