For LitHub’s Fiction/Non/Fiction podcast, Marlon James and Daniel José Older talk genre (as in, according to James, “that thing creative writing programs don’t know how to teach”), gender identity in ancient Africa, and James’s deep-seated love of Buffy the Vampire Slayer. Plus, Older discusses the process for his book Dactyl Hill Squad: “There’s so many amazing stories of people of color resisting, and finding different ways to fight for freedom throughout, whether in New York, or all over this country, in Mexico…And kids aren’t growing up learning about them because of white supremacy, and it’s hurting us. And they don’t get to see themselves as heroes or protagonists, either in history or in fantasy. And this is a way of bringing those stories to life.”
“The fact that Harry Potter midnight release parties were the event to go to as a teen was completely unprecedented in geek culture. You can draw a dotted line to the mainstreaming of geek culture through Harry Potter.” Twenty years after the publication of Harry Potter and the Sorcerer’s Stone, The Huffington Post asks authors, editors, and publishers how Rowling’s juggernaut changed reading and the world of Young Adult fiction. Then see this counterpoint from our own pages last year: There Is No Such Thing as the Young Adult Novel.
“Putin, like Hitler, understood that the purpose of spectacles is to dazzle the eye while clouding the mind.” For the Daily Beast, staff writer Bill Morris writes about the thuggish dictators who love the propaganda of the World Cup. (If you haven’t already checked out our list of seven great soccer reads, do it now!)
“How did a humble Canadian publisher—which got its start reprinting other companys’ books—become the name most associated with romance? It’s a long story, involving a peripatetic former fur trader and his opinionated socialite wife, a Procter-and-Gamble-trained Harvard MBA, some jilted Americans and a whole crowd of damned scribbling women.” From Pictorial comes the story of “How Harlequin Became the Most Famous Name in Romance.”
It has become increasingly common for publications to charge a fee upon submitting work. According to The Atlantic, this practice spells disaster for the writing community at every level. Quit paying out to big journals and just charge yourself the fee instead–here’s a piece on the efficacy of self-publishing.