For The LA Review of Books, Keeanga-Yamahtta Taylor reviews Saidiya Hartman’s new book, Wayward Crossings, Beautiful Experiments. The book, which Taylor describes as “a radical, genre-defying examination of the lives of ‘ordinary’ young Black women” in the early 20th century, is an exercise in understanding these women’s lives without sensationalizing, idealizing, or dismissing their experiences. Hartman’s subjects, Taylor writes, are found “on the periphery of archival refuse,” and she celebrates the “black city-within-a-city” that they helped create in New York, Philadelphia, and Chicago in particular. Ultimately, Hartman is interested “in the multitude of ways that Black women ‘made a way out of no way,’ whether through flight, migration, work, sex, singing, dancing, screaming, and all of the social and cultural innovation born from pure defiance and a refusal to do what you are told.”
Things you can learn from this interview with Swedish crime writer Henning Mankell: there is a genre called “Scandi-noir;” the time Mankell spent as a sailor acted as “a sort of university;” and the fact that Mankell has been married four times proves that he is an optimist.