Instagram poets like Rupi Kaur and Atticus have been polarizing forces in the literary world: on the one hand, they have millions of followers (and sell books in similar numbers); on the other, they tend to ignore existing poetic traditions, and pretty much everything else that print poets consider essential to the genre. So, is what they write really poetry? And according to whom? For the Poetry Foundation’s Harriet blog, poet and scholar Timothy Yu considers in greater depth the significance of these Instagram poets in the larger world(s) of contemporary poetry and writing, “It’s very easy to respond, as many have, by dismissing [Instagram poets] as ‘not real poets’ who pander to untutored readers. But isn’t there also a tinge of jealousy in our response? A sense that our work and the work of our peers should be recognized, and rewarded, by a larger audience? And an uncomfortable awareness of how small and closed our ‘actual’ poetry world can sometimes seem?”
New this week: Island of the Mad by Laurie Sheck; Moshi-Moshi by Banana Yoshimoto; One Man’s Dark by Maurice Manning; Kill the Next One by Federico Axat; and Loveland by Graham Norton. For more on these and other new titles, go read our latest fiction and nonfiction book previews.
Recommended Reading: Robert Macfarlane at The Guardian on what it means to be living in the Anthropocene age–in which human influence on the planet is permanent and profound–and how our writers and artists are responding to the crisis.