Instagram poets like Rupi Kaur and Atticus have been polarizing forces in the literary world: on the one hand, they have millions of followers (and sell books in similar numbers); on the other, they tend to ignore existing poetic traditions, and pretty much everything else that print poets consider essential to the genre. So, is what they write really poetry? And according to whom? For the Poetry Foundation’s Harriet blog, poet and scholar Timothy Yu considers in greater depth the significance of these Instagram poets in the larger world(s) of contemporary poetry and writing, “It’s very easy to respond, as many have, by dismissing [Instagram poets] as ‘not real poets’ who pander to untutored readers. But isn’t there also a tinge of jealousy in our response? A sense that our work and the work of our peers should be recognized, and rewarded, by a larger audience? And an uncomfortable awareness of how small and closed our ‘actual’ poetry world can sometimes seem?”
If I had been near enough to a computer and had enough time to blog over the last month, I probably would have talked about Nicholson Baker’s new book, Checkpoint. I haven’t read it, so I can only comment on the reactions that I have seen to the book. Most have been negative. The book is about two friends who are sitting in a hotel room having a conversation. One character wants to assassinate President George W. Bush, the other is trying to talk him out of it. The subject matter alone seems to come from a desire to create controversy, and though Baker and his publisher have gone out of their way to condemn violence, Baker has said that he was motivated by his own personal anger to write the book. If you ask me, controversial subject matter + short book (115 pages in this case) + rush to press = literary publicity stunt, and many, including the New York Times agree.Readers of fiction looking for a weekly dose and writers of fiction looking for an audience should check out Weekly Reader, a little website that delivers a story to your inbox every week.Poaching two great links from Arts & Letters Daily: Jonathan Yardley loves Hunter S. Thompson’s new collection of pieces from ESPN.com’s page 2, Hey Rube; and Tibor Fischer discusses the current slate of Booker hopefuls.
Paul Auster is still getting mileage out of a short story that appeared in the New York Times on Christmas day 1990. “Auggie Wren’s Christmas Story” was subsequently released as a limited edition book illustrated by Brian Cronin. The story became the inspiration for the films Smoke and Blue in the Face. Now, Henry Holt is releasing another edition of the story. This time the book is illustrated by an Argentinean artist named, cryptically, ISOL. Here’s the story if you want to read it.The London Review of Books is celebrating its 25th anniversary, and to mark the occasion, the Guardian sits down with LRB editor, Mary-Kay Wilmers.The CS Monitor continues to provide its capsule reviews of the National Book Award nominees. Here are the reviews for the young adult category.
I’ve mentioned here before that I’m currently getting my masters in new media journalism in the Medill School of Journalism at Northwestern. As such, expect to see the occasional post on the topic from here on out. To that end, I want to mention Dan Gillmor’s book We the Media. Gillmor is well-known for his blog which is, broadly speaking, about the blogging phenomenon itself. The book takes on the question of where blogs fit into the panoply of the media. It’s worth a look for anyone who’s wondered if these here blogs are good for anything beyond killing time in their cubicles. Best of all, the entire book is available for free at the publisher’s website.That’s enough new media for now. In other news Michael Chabon’s new Sherlock Holmes tale, The Final Solution: A Story Of Detection, is out tomorrow. We’ll see what the reviews bring, but in the meantime, take a look at this excerpt.Finally, have a look at this: A Colorado man is compiling “The Great Library Card Collection.”