Tuesday New Release Day: Starring Luiselli, Morrison, Williams, Newman, and More

February 12, 2019 | 15 books mentioned 8 min read

Here’s a quick look at some notable books—new titles from the likes of Valeria Luiselli, Toni Morrison, John WilliamsSandra Newman and more—that are publishing this week.

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American Spy by Lauren Wilkinson

coverHere’s what Publishers Weekly had to say about American Spy: “Wilkinson’s unflinching, incendiary debut combines the espionage novels of John le Carré with the racial complexity of Ralph Ellison’s Invisible Man. Marie Mitchell, the daughter of a Harlem-born cop and a Martinican mother, is an operative with the FBI in the mid-’80s peak of the Cold War. Marie is languishing in the bureaucratic doldrums of the agency, a black woman stultified by institutional prejudice relegated to running snitches associated with Pan-African movements with Communist links. All this changes when she is tapped by the CIA to insinuate herself with Thomas Sankara, the charismatic new leader of Burkina Faso, in a concerted effort to destabilize his fledgling government and sway them toward U.S. interests. Now the key player in a honeypot scheme to entrap Sankara, Marie finds herself questioning her loyalties as she edges closer to both Sankara and the insidious intentions of her handlers abroad. In the bargain, she also hopes to learn the circumstances surrounding the mysterious death of her elder sister, Helene, whose tragically short career in the intelligence community preceded Marie’s own. Written as a confession addressed to her twin sons following an assassination attempt on her life, the novel is a thrilling, razor-sharp examination of race, nationalism, and U.S. foreign policy that is certain to make Wilkinson’s name as one of the most engaging and perceptive young writers working today. Marie is a brilliant narrator who is forthright, direct, and impervious to deception—traits that endow the story with an honesty that is as refreshing as it is revelatory. This urgent and adventurous novel will delight fans of literary fiction and spy novels alike.”

Lost Children Archive by Valeria Luiselli

coverHere’s what Publishers Weekly had to say about Lost Children Archive: “Luiselli’s powerful, eloquent novel begins with a family embarking on a road trip and culminates in an indictment of America’s immigration system. An unnamed husband and wife drive, with their children in the backseat, from New York City to Arizona, he seeking to record remnants of Geronimo and the Chiricahua Apache, she hoping to locate two Mexican girls last seen awaiting deportation at a detention center. The husband recounts for the 10-year-old son and five-year-old daughter stories about a legendary band of Apache children. The wife explains how immigrant children become separated from parents, losing their way and sometimes their lives. Husband, wife, son, and daughter nickname themselves Cochise, Lucky Arrow, Swift Feather, and Memphis, respectively. When Swift Feather and Memphis go off alone, they become lost, then separated, then intermingled with the Apache and immigrant children, both imagined and all too real. As their parents frantically search, Memphis trades Swift Feather’s map, compass, flashlight, binoculars, and Swiss Army knife for a bow and arrow, leaving them with only their father’s stories about the area to guide them. Juxtaposing rich poetic prose with direct storytelling and brutal reality and alternating narratives with photos, documents, poems, maps, and music, Luiselli explores what holds a family and society together and what pulls them apart. Echoing themes from previous works (such as Tell Me How It Ends), Luiselli demonstrates how callousness toward other cultures erodes our own. Her superb novel makes a devastating case for compassion by documenting the tragic shortcomings of the immigration process.”

The Source of Self-Regard by Toni Morrison

coverHere’s what Publishers Weekly had to say about The Source of Self-Regard: “Some superb pieces headline this rich, if perhaps overstocked, collection of primarily spoken addresses and tributes by Nobel laureate Morrison. Many are prescient and highly relevant to the present political moment. For example, Morrison alludes in 1996 to controversy at the U.S.-Mexico border, writing that ‘it is precisely ‘the south’ where walls, fences, armed guards, and foaming hysteria are, at this very moment, gathering.’ She focuses, of course, on the issues closest to her heart: racism, the move away from compassion in modern-day society, the often invisible presence of African-Americans in American literature, and her own novels. Some of her strongest pieces are the longest: for example, her talk on Gertrude Stein, and her two essays on race in literature, ‘Black Matter(s)’ and ‘Unspeakable Things Unspoken’ are must-reads. The collection is organized thematically, which is helpful, but because the pieces jump around in time, dates would be a valuable addition to the essay titles. And while it is no doubt important to create a comprehensive collection of such a noted figure’s writings, the book, which includes 43 selections, can seem padded and overlong at times. Nevertheless, this thoughtful anthology makes for often unsettling, and relevant, reading.”

Mother Winter by Sophia Shalmiyev

coverHere’s what Publishers Weekly had to say about Mother Winter: “In this bold if uneven memoir, Shalmiyev, former nonfiction editor for the Portland Review, writes of being a motherless Russian immigrant, addressing the woman who ‘left me for the bottle long before my father took me away to America.’ Stitching together lyrical essays, fragmented narratives, and critical commentary, she reflects on ‘Elena. Mother. Mama,’ whose absence led her to seek ‘surrogate mothers for myself: feminists, writers, activists, painters, ballbusters.’ Loosely linear with discursive asides, Shalmiyev shares memories of her mother’s drunken promiscuity, her own neglected childhood raised by an enigmatic father, and their emigration from Leningrad to New York in 1990. After her arrival in America at age 11, the narrative becomes more chronological and focused. Shalmiyev describes her college years in Seattle as a sex worker; a fruitless trip to Russia to find Elena; and her subsequent marriage, miscarriage, and role as mother; she intersperses these accounts with musings on art, feminism, Russian history, and the work of Pauline Réage, Anaïs Nin, and Susan Sontag (whose son was raised by his father, ‘purposefully, unlike my mom, so that she can think clearly and write’). Shalmiyev’s prose can be brilliant, but at times overreaches (‘Father never got wintery feet’ instead of, simply, cold feet), and the book’s ragged continuity stalls any momentum. This ambitious contemplation on a child’s unreciprocated love for her mother trips over its own story, resulting in an ambiguous, unresolved work.”

The Cassandra by Sharma Shields

coverHere’s what Publishers Weekly had to say about The Cassandra: “Shields (The Sasquatch Hunter’s Almanac) repurposes the Greek myth of Cassandra in this alluring, phantasmagoric story of a clairvoyant secretary working at a secret research facility during WWII. Eighteen-year-old Mildred Groves frequently has strange, dark dreams and visions that she can’t escape. After running away from her home in rural Washington, she joins the Women’s Army Corps and applies for a job at the mysterious Hanford research facility on the Columbia River. Hanford was established to support the war effort, but no one understands what is being made in the large compound. Mildred cautiously tries to keep her head down, making friends and avoiding unwanted attention from male colleagues. However, she’s prone to bouts of sleepwalking and having disturbing visions of skeletons and corpses, which become more ominous when she overhears snippets of information revealing that the facility is processing plutonium for the atomic bomb. Shields incorporates a strong feminist undercurrent, and the constant objectification of and casual workplace violence against the women of Hanford often makes for uncomfortable reading. Unfortunately, narrative suspense will be lessened for readers with basic knowledge of WWII history or the Cassandra myth. There is little redemption in Mildred’s story, a conclusion foreshadowed from the start. With a plucky, charismatic narrator and vivid scenes incorporating the history of a real WWII facility, Shield’s novel digs into the destructive arrogance of war.

The Heavens by Sandra Newman

coverHere’s what Publishers Weekly had to say about The Heavens: “In Newman’s stellar novel (following The Country of Ice Cream Star), a woman’s ability to travel back in time in dreams—specifically, to 16th-century Britain—morphs into a world-altering liability. Kate, an art school dropout living in Brooklyn in 2000, has since childhood entered alternate worlds as she sleeps; but the dreams shift and intensify when, in her 20s, she meets and begins dating Ben, a grounded PhD student. Almost nightly Kate becomes Emilia, a pregnant Italian Jew from a family of court musicians, who escapes plague-ridden London in search of a means to save mankind. When Emilia becomes acquainted with melancholy actor Will, the resulting butterfly effect alters countless details of the present, from the president to the death of Ben’s mother. As Kate’s dream relationship with Will becomes increasingly involved (and hers with Ben twists into something strained and painful) visions of a post-apocalyptic world pepper her thoughts. While the world shifts, Kate must untangle the significance of her dreams and their implications for the future. Newman’s novel expertly marries historical and contemporary, plumbing the rich, all-too-human depths of present-day New York and early modern England, and racing toward a well-executed peak. But it’s the evolution of Kate and Ben’s relationship that serves as the book’s emotional anchor, making for a fantastic, ingenious novel.”

Death Is Hard Work by Khaled Khalifa

coverHere’s what Publishers Weekly had to say about Death Is Hard Work: “Khalifa’s novel compellingly tackles the strain of responsibility felt by a man in war-torn Syria. After his father, Abdel Latif, dies in hospital, 40-something Bolbol gathers his estranged siblings Hussein and Fatima and, with the corpse in the back of Hussein’s minibus, sets off from Damascus to honor Abdel’s deathbed wish to be buried alongside his sister in the village of Anabiya. Though the distance is short, the quartet’s quest is frequently interrupted by violence and corrupt military checkpoints, forcing the journey to stretch over days, during which time Abdel’s body bloats beneath its burial shroud. Khalifa (No Knives in the Kitchens of This City) punctuates repetitious roadblocks with segues detailing the histories of all four characters. For example, after taking refuge at the home of a former girlfriend, Bolbol reminisces about his father’s own pursuits of an old flame; and later, Hussein’s teenage abandonment of his parents and siblings crops up while their adult counterparts contemplate the purpose of fulfilling Abdel’s request. The narrative choice to summarize conversation indirectly, rather than placing the dialogue directly on the page, might distract some readers. Nonetheless, the novel is at times harrowing—the family flees wild dogs and faces masked guards—and serves as a reminder of the devastation of war and the power of integrity.”

Rutting Season by Mandeliene Smith

coverHere’s what Publishers Weekly had to say about Rutting Season: “In Smith’s unsettling debut, characters must confront the most basic, animal sides of themselves as they navigate crisis and tragedy, whether it is a husband’s sudden death, workplace tension, or a police face-off. In the title story, Carl’s boss Ray is constantly giving him a hard time, and one incident in front of Ray’s work crush may be the final straw. ‘The Someday Cat’ and ‘You the Animal’ make for an intriguing pair of stories—though they both center on the same climactic moment, they are told from two opposing viewpoints. In ‘The Someday Cat,’ Janie’s siblings are being put up for adoption one by one, and so her mother brings home a kitten to placate the children who are left. In ‘You the Animal,’ readers meet Jared, who’s about to be married and on the verge of quitting his job at the Department of Children and Families, which is where readers learn there’s something a little more sinister at play at Janie’s house. At their best, Smith’s characters skate the razor-thin line of brutality in a way that’s both chilling and compelling, although secondary characters too often come across as one-dimensional. Still, this collection proves Smith is an uncommonly talented writer with a particularly sharp eye for the serrated edge of human nature.”

Northern Lights by Raymond Strom

coverHere’s what Publishers Weekly had to say about Northern Lights: “Strom’s challenging debut follows recent high school graduate Shane’s roundabout search for his mother. When his uncle kicks him out of the house in the summer of 1997, Shane goes looking for his mother, who abandoned him years before. He tracks her to the small, rust belt town of Holm, Minn., where the locals react suspiciously to his androgynous looks and long hair. He falls in with erratic drug dealer J and angry, spiteful Jenny, who introduce him to increasingly serious drugs. When not getting high with them, Shane incurs the unbidden wrath and terrifying threats of wannabe Klansman Sven Svenson and pursues a confusing sexual relationship with Russell, who only seeks Shane out when drunk. Despite Shane’s plans to leave Holm in the fall for college, he becomes attached. When he finally gets a lead on his mother’s whereabouts and leaves town to pursue it, Jenny’s desperate measures to help her drug-addled mother lead to horrifying consequences. Strom’s insightful navigation of family trauma, sexual identity, and small-town despair blends with his chilling depictions of drug abuse. This bleak, unsentimental novel will resonate with readers who like gritty coming-of-age tales.”

Also on shelves: Nothing but the Night by Stoner author John Williams.

is a staff writer for The Millions and an MFA candidate at Johns Hopkins. Prior to coming to Baltimore, he studied literature and worked in IT while living in Dublin, Ireland. You can find him on Twitter at @tdbeckwith.

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