Out this week: Mouthful of Birds by Samanta Schweblin; Looker by Laura Sims; Sugar Run by Mesha Maren; Ghost Wall by Sarah Moss; and An Orchestra of Minorities by our own Chigozie Obioma (whom we interviewed on Monday).
On the NY Daily News’ Page Views blog, Alexander Nazaryan writes about the Westminster Kennel Club Dog Show’s most neglected — yet also most literary — member breed: the dachshund. “No dog,” Nazaryan writes, “has been more widely loved by writers and artists than the dachshund.” Comedian Streeter Seidell agrees that the dachshund was slighted, and calls for a “fan favorite” award next year.
While researching In Cold Blood, Truman Capote took pains to get the story right, so much so that the final product was, he claimed, “immacutely factual.” The tale of his labors is so well-known that Bennett Miller used it as the basis of his movie Capote. So when allegations surface that the author made deliberate errors, the story gets a little bit… awkward.
Recommended Reading: Sarah Gerard records her phone calls with inmate Matthew Seger as he tries to find time to write in prison. “I feel like all of these ideas I have will someday, maybe, be of some use. I don’t want to let any of them go.” We interview Matthew Parker, the author of the graphic memoir, Larceny in My Blood: A Memoir of Heroin, Handcuffs, and Higher Education.
Here is Amitav Ghosh in conversation with Michael Berkeley for the BBC Radio3 broadcast about his new novel, Flood of Fire. In the interview, Ghosh talks about his childhood by the water and the influence of the sea on his work. He also curates a playlist of influential music that ranges from Bengali boat songs to Phillip Glass to ‘Hindoo airs.’