The publishing industry is roughly 86% white. Yet comparative titles, or “book comps,” are whiter still, the L.A. Review of Books has found, arguing that this makes it exceptionally difficult for writers of color to place their books with imprints at Big Five publishers. “Comps,” in other words, “perpetuate the status quo.” Here’s how.
“The notebook is where our interior world makes contact with our exterior world; where our instinct for creation is first made material. Our notebooks are our first messy attempts at self-expression, and the ways in which we express ourselves are changing every day.” Sarah Gerard explores the life of the notebook in an essay for Hazlitt. Pair with our own Hannah Gersen‘s look at other methods writers use to keep their ideas straight, from calendars to collages.
According to a report for The Wall Street Journal (paywall), Barnes & Noble will be lessening its floor space allotted to traditional books in order to make way for more Nook displays. Over at Melville House’s blog, MobyLives, publisher Dennis Johnson speculates that this move could signify the end of the road for Barnes & Noble as a bookseller.
“The only way to avenge all the things white people did to you was to get your kid into Harvard. You bided your time. You worked your ass off, day after day, year after year.” Our own Marie Myung-Ok Lee has a new short story in Joyland called “La Piñata” (and of course you can also read her in these pages, too).
Attention Sassy and Jane fans: Infant savant/fashion blogger Tavi Gevinson and Jane Pratt (founder of Sassy and Jane) are starting a new magazine. The publication’s a bit of a mystery right now (no name or website yet), but if you want to be notified when the project launches, click here to get on the e-mail list.
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In their closing statements, Russian dissidents du jour Pussy Riot cited the authors who inspired them and placed themselves in Russia’s rich history of imprisoning their artists. Also check out Carol Rumens’s excellent translation of the song that landed Pussy Riot in hot water.
At W, a first look at American actress Rooney Mara in character as Lisbeth Salander. The relatively unknown Mara, recently of David Fincher‘s The Social Network, has been cast as Salander to Daniel Craig‘s Mikael Blomkvist in Fincher’s American film version of Stieg Larsson‘s The Girl With The Dragon Tattoo. The obvious question: does Mara have the chops to outshine Noomi Rapace‘s Salander?