Out this week: Radiant Shimmering Light by Sarah Selecky; Once Upon a River by Diane Setterfield; North of Dawn by Nuruddin Farah; The Collected Poems of Bertolt Brecht; and The Dakota Winters by Tom Barbash. For more on these and other new titles, go read our most recent book preview.
Tuesday New Release Day: Selecky; Setterfield; Farah; Brecht; Barbash
Yes.
Your dandruff falls like the fixtures within a scenic railway passing through a thousand bearded rainbows… Compliment courtesy of the Surrealist Compliment Generator! (Via.)
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Tuesday New Release Day: Shapiro; Bray; Dainty; Fairchild; Cooley; Euripides
New this week: You’re Not Much Use to Anyone by David Shapiro; A Song for Issy Bradley by Carys Bray; After Everything by Suellen Dainty; The Blue Buick by B.H. Fairchild; Ice Shear by M.P. Cooley; and a new translation of The Bacchae by Euripides. For more on these and other new titles, check out our Great Second-half 2014 Book Preview.
Tuesday New Release Day: Hannaham; Torday; Essbaum; Horack; Rubin; Landau; Hewitt
Out this week: Delicious Foods by James Hannaham; The Last Flight of Poxl West by Daniel Torday; Hausfrau by Jill Alexander Essbaum; The Other Joseph by Skip Horack; The Poser by Jacob Rubin; The Empire of the Senses by Alexis Landau; and The Dynamite Room by Jason Hewitt. For more on these and other new titles, check out our Great 2015 Book Preview.
Shenandoah Online
After publishing print editions for 60 years, Shenandoah has entered the digital game.
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Say What?
If you’ve ever heard that literary skill is synonymous with a good memory, you’ve likely bemoaned your own forgetfulness, especially when it comes to important things. Tim Parks felt the same way, until he read a new book on forgetting, which led him to wonder how much knowledge we can retain. In The New York Review of Books, he tackles the paradox of the reader’s memory. You could also read our own Mark O’Connell’s review of Parks’s book Italian Ways.
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Au Revoir, Harry
While we’re on the subject of Harry Potter, I have some bad news. According to J.K. Rowling herself, Cursed Child is likely the last we’ll ever see of the boy (now middle-aged) wizard: “He goes on a very big journey during these two plays and then, yeah, I think we’re done. This is the next generation, you know … So, I’m thrilled to see it realized so beautifully but, no, Harry is done now.”
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