Out this week: My Sister, the Serial Killer by Oyinkan Braithwaite; Asymmetry by Adam Zagajewski; Hannah Versus the Tree by Leland de la Durantaye; Walking Backwards by John Koethe; and Art Matters by Neil Gaiman. For more on these and other new titles, go read our most recent book preview.
Tuesday New Release Day: Braithwaite; Zagajewski; de la Durantaye; Koethe; Gaiman
The Made-up Divide
For The Guardian, Richard Lea investigates the fine line between fiction and nonfiction writing, a boundary that is drawn most firmly in the anglophone world. Pair with this Millions piece in defense of blurring the lines of fiction and autobiography.
●
●
“I think we could create a run on a bank.”
The Occupy Wall Street movement has been going on for seven months now, and it’s the subject of a new book entitled The Occupy Handbook. Over at The Daily Beast, you can check out an excerpt in which The Big Short author Michael Lewis interviews himself about his thoughts on the occupation.
●
●
Dostoevsky Subway Murals in Moscow
NPR reports on the controversial Moscow subway murals depicting violent scenes from Dostoevsky’s books – and the public concern that the murals will make people “afraid to ride the subway.” (via Book Bench)
DFW Festchrift at The Quarterly Conversation
The new issue of The Quarterly Conversation features a symposium on the work of the late David Foster Wallace, featuring essays by Edie Meidav, Lance Olsen, and Andrew Altschul…plus Scott Esposito‘s welcome defense of Infinite Jest‘s canonization.
●
●
Big, Bent Ears
This week the Paris Review launched a new online series, Big, Bent Ears, a “Serial in Documentary Uncertainty” masterminded by Sam Stephenson and Ivan Weiss. Each installation features “a combination of video, audio, photography, and writing in various arrangements and states of completion,” and the first chapter overlaps Joseph Mitchell and the Big Ears Music Festival even though “the two projects seem to share little: one concerns a wordsmith, a chronicler, and preserver of fading traditions; the other, musicians challenging tradition and musical forms on a sometimes radical basis.”