Out this week: Evening in Paradise by Lucia Berlin; Those Who Knew by Idra Novey; A Stranger’s Pose by Emmanuel Iduma; The Naked Woman by Armonía Somers; Northwood by Maryse Meijer; and The Feral Detective by Jonathan Lethem. For more on these and other new titles, go read our most recent book preview.
“The stories that dominated the serious magazines and journals seemed to share a flat fireless quality… Characters dropped half out of love, or endured a minor crisis, or just wandered around treasuring their sense of dismay about, you know, the fallenness of the world.” In case you missed it: Slate’s review of Stuart Dybek‘s new collection of stories, Paper Lantern, also delivers an acerbic take on the modernist past and current “revitalization” of the American short story.
Anne Fernald’s two posts about her grandmother’s editions of Virginia Woolf are a treat.Gwenda Bond of Shaken and Stirred landed on NPR over the weekend to talk about the 100th anniversary of Anne of Green Gables, in honor of which the Modern Library has put out a new edition.The Oxford Project: “In 1984, photographer Peter Feldstein set out to photograph every single resident of his town, Oxford, Iowa.” It’s a neat sounding photo book, reminiscent of La Porte, Indiana.Under 30? Really good at writing book reviews? You should enter VQR’s Young Reviewers Contest.It’s an alarm clock that wakes you up with the voice of Stephen Fry in the character of Jeeves. You can listen to all the recordings at the site. An example: “Let us seize the day and take it roughly from behind… as the Colonel used to say in his unfortunate way.”
It’s a common saying among actors that the script does most of the work. Which raises an interesting question: is it possible for a great writer to make art out of a bad story? At The Kenyon Review’s blog, Amit Majmudar says it is, using Shakespeare as proof. Related: five experts on the Bard’s greatest plays.
James Baldwin couldn’t be more relevant, but he is fading from America’s high school classrooms. His controversial writing, censorship, poor student reading habits, and absence from the Common Core are all to blame for the lack of Baldwin in the curriculum. Pair with: Our essay on why Baldwin’s work still resonates.