Out this week: Family Trust by Kathy Wang; Alice Isn’t Dead by Joseph Fink; Well-Read Black Girl ed. Glory Edim; The White Darkness by David Grann; I Might Regret This by Abbi Jacobson; and Elevation by Stephen King. For more on these and other new titles, go read our most recent book preview.
Tuesday New Release Day: Wang; Fink; Edim; Grann; Jacobson; King
Reviewing Reviews
Our own Emily St. John Mandel guest judged Electric Literature’s Critical Hit Awards this month. She discussed what she looks for in a book review in an interview with Brian Hurley. “I prefer reviews that go beyond talking about literature, so that the book under review is considered in the context of the surrounding world,” she said. The winners are Andrew Winer’s review of The Kraus Project by Jonathan Franzen, Rachel Monroe’s review of The Contested Murder of Latasha Harlins by Brenda Stevenson, and our own review of Karen Green’s Bough Down by Suzanne Scanlon.
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More on Banville
Yesterday I pointed out that John Banville wrote a new Philip Marlowe novel under the pen name Benjamin Black. If you’re a fan of Banville — and you live in LA — you can hear him talk about the book this Thursday at Sundance Cinemas.
The Naipaul Test
V.S. Naipaul (seemingly a professional misogynist at times) rankled many by suggesting there are no women writers that can equal him and calling Jane Austen “sentimental.” Now the Guardian offers up a quiz that challenges readers to identify the gender of an author simply by reading a passage of his or her writing.
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Questioning Your Legacy
John Steinbeck’s son criticizes the state of Texas for invoking Of Mice and Men‘s Lennie Small, in ruling that certain mentally retarded individuals can be sentenced to the death penalty. The great-great-great granddaughter of Herman Melville wonders where her great-great-great-grandfather’s editor was when he wrote Moby Dick.
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Fiction Writers: Soloists or Thieves?
From Lev Grossman’s blog, “A Brief Taxonomy of Writers”: “As far as I can tell there are two kinds of fiction writers: those who read no fiction while they write, and those who constantly read fiction while they write. Let’s have cute names for them. We’ll call them Soloists and Thieves.”
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