Out this week: Family Trust by Kathy Wang; Alice Isn’t Dead by Joseph Fink; Well-Read Black Girl ed. Glory Edim; The White Darkness by David Grann; I Might Regret This by Abbi Jacobson; and Elevation by Stephen King. For more on these and other new titles, go read our most recent book preview.
“You have a hard time imagining how the things you’ve experienced or discovered, which seem abjectly personal, could be of use to another writer. You’re aware that you can follow every single rule in the book, and still write a crappy story.” The Preservationist author Justin Kramon grapples with the idea of teaching writing to college students.
How do you know when you’re finished writing a novel? Electric Literature’s advice column, The Blunt Instrument, tackles the timeless questions of how to begin and when to end. If it’s endings you’re after, this piece from The Millions on writers and last lines will help give you some closure.
At the Book Bench, slides of Roland Barthes’ diaries from 1977 in their original, hand-written form: “His brilliance, which indelibly influenced literary theory, semiotics, social theory, and post-structuralism, can make him seem as distant as he is renowned. Yet the diary entries… reveal Barthes to be extraordinarily sensitive and relatable.” (via The Rumpus)
“And then Obama comes over to my desk with the speech, and he has a few edits. And he’s like, ‘I just want to go through some of these edits and make sure you’re ok with this. I did this for this reason. Are you ok with that?’ And I’m like, ‘Yeah, buddy. You’re Barack Obama.’” Jon Favreau, former chief speechwriter to President Obama, sits down with Longform.