Out this week: Family Trust by Kathy Wang; Alice Isn’t Dead by Joseph Fink; Well-Read Black Girl ed. Glory Edim; The White Darkness by David Grann; I Might Regret This by Abbi Jacobson; and Elevation by Stephen King. For more on these and other new titles, go read our most recent book preview.
Bud offers a charming man about town piece that touches on the intersection of technology and culture.One of my biggest on-the-job challenges back when I was a bookseller was recommending books for finicky teenagers. In an effort to take some of the guesswork out of this endeavor, Anita Silvey, a professor of children’s literature at Simmons College in Boston, wrote 500 Great Books for Teens. Scripps news prints 20 of those recommendations, including The Curious Incident of the Dog in the Night-Time by Mark Haddon, A Long Way Down by Nick Hornby, and, of course, The Catcher in the Rye by J.D. Salinger.Germany is prosecuting seven men for burning a copy of The Diary of Anne Frank, in a case that highlights the symbolic power of books.And in Trenton, NJ, librarians are accusing a library accountant of refusing to purchase the novel Whore by Tanika Lynch for the library’s collection because “he objected to the title.”
“Imagination for me has always been about the spaces in between, a sort of filler that completes a picture. If what we know is the jaggedness of the ocean floor, then imagination is the body of water that defines what is hidden and what is seen.” This essay on interstices and representing Hawai’i Creole English as a legitimate literary participant is excellent.
Sarah Pitre reviews Meg Wolitzer‘s first YA novel, Belzhar, for Kirkus Reviews, and while we were already looking forward to the novel, now we’re doubly interested.
“Steinem welcomed them all—the rich, the celebrities, the climbers for the cause. She was a radical but, consciously, never an outsider. She enjoyed the world where she plied her trade as an entrepreneur of social change, and, with her mouth spray at hand, she had long since mastered the subterfuges of talking truth to power. You could call it consciousness-raising—on a wider canvas.” The New Yorker profiles Gloria Steinem in anticipation of her latest release, My Life on the Road.