Out this week: Family Trust by Kathy Wang; Alice Isn’t Dead by Joseph Fink; Well-Read Black Girl ed. Glory Edim; The White Darkness by David Grann; I Might Regret This by Abbi Jacobson; and Elevation by Stephen King. For more on these and other new titles, go read our most recent book preview.
Tuesday New Release Day: Wang; Fink; Edim; Grann; Jacobson; King
Summer Knowledge
Recommended Reading: John Ashbery on just about anything. Specifically, though, this piece on Delmore Schwartz and the pain of poetry is as good a place as any to get familiarized with both writers.
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Amazon’s Price-Check Debacle
A lot of people were outraged by initial reports of Amazon’s price-check promotion, and a lot of that had to do with misinformation. Thankfully, Richard Russo sets the record straight about at least one point of contention. (The discount doesn’t apply to books.)
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No Getting Without Giving
If Claudia Rankine writes it, it’s safe to say I’d recommend it. Here she is in a long, lovely essay on Adrienne Rich and her poetic transformations.
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Colson Whitehead on Making Eccentric Ideas Plausible
Colson Whitehead reflects on the fantastic fiction he consumed as a child and how it made the most eccentric ideas seem plausible.
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Big Picture
The cartoonist Joe Sacco has a new graphic novel out that uses a twenty-four-foot panorama to depict the first day of the Battle of the Somme. At Salon, Sacco tells Daniel D’Addario that his upbringing in Australia, where the landings at Gallipoli have great patriotic significance, helped to spur his interest in the War to End All Wars. (Related: we interviewed Sacco last year.)
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Together
Writing a novel together might seem like a recipe for conflict, but Gavin Kovite and Christopher Robinson, who co-wrote War of the Encyclopaedists together, argue the exercise ended up deepening their longtime friendship. At Salon, they explain why.
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Writing the Self
Laura Bennett writes for Slate about how personal essays are taking over the internet. “I think there is just a very fine line between providing a platform for these writers and exploiting them,” says one editor.
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