Out this week: Killing Commendatore by Haruki Murakami; White Dancing Elephants by Chaya Bhuvaneswar; Hungry Ghost Theater by Sarah Stone; Love is Blind by William Boyd; and The Witch Elm by Tana French. For more on these and other new titles, go read our most recent book preview.
Over in the New Statesmen, Ed Smith makes the case for increasing your productivity by making sure to get your R&R. He mentions Bertrand Russel’s In Praise of Idleness, which is my go to piece for arguing with myself against being too busy to argue with myself. Or would be, if only I could find the time.
In this week’s New York Times Magazine, a collaboration with ProPublica has produced a 13,000-word (!) article on what happened at New Orleans Memorial Medial Center where a number of patients died in the aftermath of Hurricane Katrina. Who says long-form journalism is dead!
Readers of the 1960s and 70s ran into many people who worried that writers were learning from television. In 2015, the concern is slightly different — are writers taking cues from video games? At the Ploughshares blog, Matthew Burnside tackles the game-ification of books.
Celebrate the 2010 Melbourne Literary Festival–going on now through September 5th–by watching this funny promo video, “10 Facts about Books That You Won’t Read in a Book About Books”.
This graphic account of the uncomfortable on-stage conversation between Roxane Gay and Erica Jong at this year’s Decatur Book Festival comes from MariNaomi over at Electric Literature. Here are a few essays from The Millions that also deal with race, fatherhood, and fiction.
We’re super jazzed about a new (and free!) app called ToposText that pairs the entirety of ancient Greek and Roman texts with GIS mapping data, allowing travelers to pull up history’s classics in the places in which they were written. Developed by a relative of our own Lydia Kiesling, ToposText correlates to a map of nearly 6,000 ancient places and includes 570 ancient texts in English translation, with hyperlinks to the Greek or Latin original. And for a more modern context to the Homeric epic The Odyssey, consider our piece comparing its journey to that of Toni Morrison‘s own classic Beloved.
“For a woman to be a flâneuse, first and foremost, she’s got to be a walker – someone who gets to know the city by wandering its streets, investigating its dark corners, peering behind façades, penetrating into secret courtyards. Virginia Woolf called it ‘street haunting’ in an essay by that name: sailing out into a winter evening, surrounded by the ‘champagne brightness of the air and the sociability of the streets,’ we leave the things that define us at home, and become ‘part of that vast republican army of anonymous trampers.’” On the female flâneur. Also check out this Millions essay about the flâneur in modern fiction.