Out this week: Killing Commendatore by Haruki Murakami; White Dancing Elephants by Chaya Bhuvaneswar; Hungry Ghost Theater by Sarah Stone; Love is Blind by William Boyd; and The Witch Elm by Tana French. For more on these and other new titles, go read our most recent book preview.
A lot of writers have alter-egos, but few are as interesting as Benjamin Black, the crime-writing persona of Irish novelist and Year in Reading alum John Banville. The author’s new novel adds an entry to the saga of a crime-fiction icon: Raymond Chandler’s Angeleno detective, Philip Marlowe.
Ever wondered how the fact-checking process works? Well wonder no longer. The Columbia Journalism Review posted an excerpt from their recently published Art of Making Magazines collection, and it explains The New Yorker’s workflow as well as the perils of “Shoot-the-Fact-Checker Syndrome.”
On the London Review of Books blog, Kaya Genç makes the case that the similarities between the successful Turkish author Elif Şafak’s work and Zadie Smith’s books is a fact of Turkey’s shifting cultural values rather than plagiarism: “Istanbul, the city Shafak returned to after writing her book in London and the setting for many of her earlier novels, resembles London more and more.” For a bit of context, here’s Lydia Kiesling’s rundown of the initial scandal.
“It’s a major work of scholarship and interpretation, but also one that some readers may foolishly reject as unimportant on account of its theme, the ultimate ‘minor’ topic in the eyes of the heterosexual masses.” In the LRB, Terry Castle reviews Lisa Cohen’s new biography.