Out this week: Killing Commendatore by Haruki Murakami; White Dancing Elephants by Chaya Bhuvaneswar; Hungry Ghost Theater by Sarah Stone; Love is Blind by William Boyd; and The Witch Elm by Tana French. For more on these and other new titles, go read our most recent book preview.
After some initial mystery leading up to publication, Michael Lewis’s new book Flash Boys is here and its subject is high-speed trading (sometimes called “high-frequency trading) that uses supercomputers and complex trading algorithms to attempt to generate profits through brute force. Lewis has become the most popular writer on Wall Street, giving readers a look behind closed doors. The Times has an excerpt of Flash Boys, while Bloomberg has more detail.
Recommended Reading: “Ursula’s Curse,” an excerpt from a forthcoming Eugene Lim novel. The piece’s protagonist seems less concerned with the end of his life (and maybe the human race) than he is with remembering an artist who tried to reach “a limit to the art market’s baseness.”
I am very sad to report that William Gay, whom we featured in our “Post-40 Bloomers” series last fall, died on Friday, at the age of 68. From Clarksville Online: “At first, I would send a story to the New Yorker and when it came back, I’d send it to The Atlantic, or Harper’s or Esquire. I didn’t know about the college literary magazines but when I found out about them, I started getting published. After I finally got published in the Georgia Review, I got a call from the editor at The Atlantic. He asked why I wasn’t sending them something because they’d like to publish my work. I told him I’d been sending things for years. He said they never got to his desk. I had to wonder what kind of operation they were running.” Look for his final novel The Lost Country, hopefully coming soon.
Columbia once moved its twenty-two miles of books by sending them down a really, really long slide. As The Paris Review documents, in 1934, the university stocked its then-new Butler Library with a slide that ran from Low Library to the new building. (No word on whether the slide is secretly used to this day.)
“I write, always thinking about the generations of black women who came before me, who faced racism and sexism head-on, and in spite of it all, did their work. They encourage me not to despair.” For Vogue, author Brit Bennett writes about 2017, racism, Trump, and the forward progression of time. Pair with: staff writer Ismail Muhammad‘s interview with Bennett.