Out this week: Heavy by Kiese Laymon; Girls Write Now by the Girls Write Now program; Melmoth by Sarah Perry; In the House in the Dark of the Woods by Laird Hunt; Trinity by Louisa Hall; Sleep of Memory by Patrick Modiano; and Unsheltered by Barbara Kingsolver. For more on these and other new titles, go read our most recent book preview.
Editing poetry can be tricky, and the work is often misunderstood. Many of the best houses leave the work to the experts: actual poets. But is that the best route? Indeed, as this Telegraph article puts it, “a house’s tone and fortunes can be radically altered depending on the poet in charge of the poems of others.”
The New York Review of Books posts a vintage essay by Joan Didion on the films of Woody Allen: “This notion of oneself as a kind of continuing career—something to work at, work on, ‘make an effort’ for and subject to an hour a day of emotional Nautilus training, all in the interests not of attaining grace but of improving one’s ‘relationships’—is fairly recent in the world, at least in the world not inhabited entirely by adolescents. In fact the paradigm for the action in these recent Woody Allen movies is high school.”