Out this week: Lake Success by Gary Shteyngart; The Silence of the Girls by Pat Barker; The Wildlands by Abby Geni; After the Winter by Guadalupe Nettel; Ponti by Sharlene Teo; River by Esther Kinsky; and The Golden State by our own Editor Lydia Kiesling.
Sean Manning (of Talking Covers) hosted a discussion with Jonathan Lethem last week at LA’s Last Bookstore. You can check out video and audio of the event over here, and the post also features an exclusive glimpse at the cover art for Lethem’s forthcoming novel Dissident Gardens. (Bonus: a look at Dissident Gardens in our Great 2013 Book Preview.)
Anthony Domestico, who studied under James Wood at Harvard, turns in a review of the critic’s latest non-fiction collection, The Fun Stuff. Aside from penning an astute review of the book, Domestico draws from his firsthand experience with Wood to pepper his write-up with details such as this: “While puzzling over a complex passage, he would vigorously rub the top of his head, as if hoping to coax interpretive brilliance from his bald spot like a genie from a lamp.” (Bonus: our own Lydia Kiesling takes a look at Wood’s latest for Bullet Media.)
The New York Times Magazine profiles Emily Wilson, the first woman to translate the Odyssey into English. Her translation is one of our most eagerly anticipated for November. “One way of talking about Wilson’s translation of the “Odyssey” is to say that it makes a sustained campaign against that species of scholarly shortsightedness: finding equivalents in English that allow the terms she is choosing to do the same work as the original words, even if the English words are not, according to a Greek lexicon, ‘correct.'”
“The first section of the book inevitably ends up taking on a Rashomon-ic quality, as Sotatsu’s father, mother, brother and sister all get their say about what transpired during his time in prison, along with a prison guard who observed him. But [Jesse] Ball doesn’t let them fall into the he said-she said realm of one-note characters — these are fully fleshed-out people, whose thoughts, emotions and agendas are as real (and sometimes as contradictory) as your own.” On Silence Once Begun.