Out this week: Lake Success by Gary Shteyngart; The Silence of the Girls by Pat Barker; The Wildlands by Abby Geni; After the Winter by Guadalupe Nettel; Ponti by Sharlene Teo; River by Esther Kinsky; and The Golden State by our own Editor Lydia Kiesling.
Teju Cole’s Every Day Is for the Thief is out this week, as is Karen Russell’s e-book novella Sleep Donation. Also out: The Brunist Day of Wrath by Robert Coover; Falling Out of Time by David Grossman; Bad Teeth by Dustin Long; The Land of Steady Habits by Ted Thompson; and The Space Between Us by Zoya Pirzad.
Perhaps the best mashup of highbrow and lowbrow to grace the cultural ether in recent years is this innovative scratch-and-sniff guide to becoming a wine expert. The book, which is exactly what you think it is, declares that “not all oaks are created equal” and includes a diagram of “all the smells in the world.” (Related: literary tourism at Suttree’s High Gravity Beer Tavern.)
The history behind the iconic Esquire cover that depicts Andy Warhol trapped in a swirling vortex of tomato soup. Before photoshop! I have a reproduction of this particular cover hanging in my kitchen, and I have to tell you that I can’t bear to eat canned Tomato soup at all anymore.
At Guernica, Kirsten O’Regan delves into labiaplasty, a “relatively unregulated, frequently botched” and scarily popular new surgery. The oddest (and saddest) thing she learns about the procedure? Apparently a lot of young mothers urge their daughters to do it.
Haruo Shirane writes for Public Books about writing and publishing in the age of English. As he explains it, “For those living in the Anglosphere, no barrier seems to stand between their world and the many other worlds that now appear at the push of a button. But for those outside that world, particularly in non-European countries, the literary and linguistic consequences of globalization in the age of English can often be severe.”