Out this week: She Would Be King by Wayétu Moore; Crudo by Olivia Laing; Ordinary People by Diana Evans; The Real Lolita by Sarah Weinman; The Mermaid and Mrs. Hancock by Imogen Hermes Gowar; and The Personality Brokers by Merve Emre.
Over at Ploughshares, Daniel Peña traces a parallel between Maggie Nelson’s The Argonauts and Gloria Anzaldúa’s hybrid text Borderlands/La Frontera: The New Mestiza. As he puts it, “To separate Anzaldúa from the larger canon (and subsequently from those books she influenced) is to ignore her contribution to American literature. It’s to say she doesn’t belong in that kind of highbrow conversation, which she so obviously does—even Nelson acknowledges that she does.”
There was a lot going on this September. Luckily, the good folks over at The Literary Hub have provided us with this helpful list of five of the best new books September had to offer. A personal favorite includes Emily Donoghue’s The Wonder, in which the protagonist appears to be subsisting on nothing but water.
This week, the Ransom Center at UT-Austin opened up its archives of the works of J.M. Coetzee. Because the Nobel Prize winner is an alumnus, he says it’s “a privilege to have graduated from being a teaching assistant at The University of Texas to being one of the authors whose papers are conserved here.” (Fun fact: his starting salary was $2,300 a year.)
“[L]overs of more experimental books showed the ability to see things from different perspectives but it was comedy fans who scored the highest for relating to others.” A new study suggests that people who read books are nicer, reports The Independent. In our recent interview with author John Vaillant he wholly agreed. “Empathy is what gives you the access,” he told us. “I see the writer (fiction or nonfiction) as a kind of permeable membrane through which the thoughts, feelings, and experiences of others can pass and manifest.”