Out this week: She Would Be King by Wayétu Moore; Crudo by Olivia Laing; Ordinary People by Diana Evans; The Real Lolita by Sarah Weinman; The Mermaid and Mrs. Hancock by Imogen Hermes Gowar; and The Personality Brokers by Merve Emre.
At My Life and Thoughts, Elif Batuman–in delightfully Elifish style–describes her first book travails and unveils a preliminary sketch for the cover of her forthcoming first book The Possessed: Adventures with Russian Books and the People Who Read Them, drawn by New Yorker cartoonist Roz Chast.
“We connect with books in an intellectual way, but the most valuable relationships we have with them are emotional; to say that you merely admire or respect a book is, on some level, to insult it. Feelings are so fundamental to literary life that it can be hard to imagine a way of relating to literature that doesn’t involve loving it. Without all those emotions, what would reading be?” Joshua Rothman on “The History of ‘Loving’ to Read.”
You’ve read Elif Batuman’s dissertation on the double-entry book-keeping of novelists (pdf), but now your “debit” balance is low. (Whose isn’t these days?) Enter Sheila Heti and Misha Glouberman. They can document your very essence. The Paris Review has an excerpt from The Chairs Are Where the People Go.
C author Tom McCarthy takes on The Pale King in the New York Times Book Review this week. Separately, though the hard cover of The Pale King shipped and appeared on shelves ahead of the announced April 15 release date, the Kindle version only became available yesterday, right on schedule.
Over at Public Books, Jared Gardner explores the theme of pain and illness at the heart of many graphic narratives. As he explains it, “Illness, mental and physical, is arguably comics’ invisible master theme, deeply woven into their genome and shaping the stories they tell, from the earliest newspaper strips (chronic allergies in Winsor McCay’s Little Sammy Sneeze) through the rise of superhero comics (from Batman’s PTSD in 1939 through the Fantastic Four’s radiation poisoning in 1961).” Pair with Paul Morton’s Millions piece on the history of Marvel Comics.
You can purchase Norman Mailer’s Provincetown home for the cool price of $3.9 million. The house was previously used for the Norman Mailer Center’s Summer Writers Colony, which Millions contributor A. Igoni Barrett attended and wrote about for Electric Literature.