Out this week: Washington Black by Esi Edugyan; The Deeper the Water the Uglier the Fish by Katya Apekina; Boomer1 by Daniel Torday (whom we interviewed); Heartland by Sarah Smarsh; Writers Under Surveillance: The FBI Files; The Dictionary of Animal Languages by Heidi Sopinka; These Truths by Jill Lepore; My Pet Serial Killer by Michael Seidlinger; Static Flux by Natasha Young; and Sea Prayer by Khaled Hosseini.
“In college, I didn’t realize I was the face of the Diaspora, the embodiment of all the women they thought I was, and who I knew I was. I was from Africa, east and west, a sojourner through the islands of the Caribbean, a daughter of the Second Great Migration of African-Americans from South to North. Perhaps Chaka said it best—to these young men, I was ‘every woman.’ To airport security, I was that woman. The one to be stopped and searched. The one who was suspect. A long-lost daughter whose lineage crossed through Kush—was I carrying Kush now, perhaps, in my hair?” If a ‘Pat-downs, Pissing, and Passport Stamps’ headline isn’t enough to get you to read this great piece from The Literary Hub, hopefully the quote will do.
Cage the Elephant is considered one of the best young indie rock acts today, but the band got its start in the burgeoning music scene in Bowling Green, Kentucky. Sometime Millions contributor Craig Fehrman wrote a Kindle Single on Cage the Elephant and its influential hometown, Home Grown: Cage the Elephant and the Making of a Modern Music Scene. You can read his past Millions essays on the history of literary Time covers, Lewis Hyde’s understanding of intellectual property, and an ethnography of readers at Borders.
Dan Piepenbring writes at The Paris Review on judging a book by its cover in the Weimar Republic and the sheer mastery of some of the early twentieth-century German cover designers. Two related pieces from The Millions: our own Bill Morris on the pleasures of the typewritten book cover and Matt Allard on reimagining some popular cover art.
Five finalists have been named for this year’s PEN/Faulkner Award for Fiction: Daniel Alarcón’s At Night We Walk in Circles, Percival Everett’s Percival Everett by Virgil Russell, Karen Joy Fowler’s We Are All Completely Beside Ourselves, (Year in Reading alum) Joan Silber’s Fools, and Valerie Trueblood’s Search Party: Stories of Rescue. One winner will be selected on April 2, 2014, and a celebratory dinner will be held in its honor on May 10. You can read up on all of the finalists over here.
“Marx the anti-Communist is an unfamiliar figure; but there were undoubtedly times when he shared the view of the liberals of his day and later, in which communism (assuming anything like it could be achieved) would be detrimental to human progress.” Wait, what? The New York Review of Books reviews Karl Marx: A Nineteenth-Century Life.