Out this week: Washington Black by Esi Edugyan; The Deeper the Water the Uglier the Fish by Katya Apekina; Boomer1 by Daniel Torday (whom we interviewed); Heartland by Sarah Smarsh; Writers Under Surveillance: The FBI Files; The Dictionary of Animal Languages by Heidi Sopinka; These Truths by Jill Lepore; My Pet Serial Killer by Michael Seidlinger; Static Flux by Natasha Young; and Sea Prayer by Khaled Hosseini.
“Contemporary criticism is positively crowded with first-person pronouns, micro-doses of memoir, brief hits of biography. Critics don’t simply wrestle with their assigned cultural object; they wrestle with themselves, as well. Recent examples suggest a spectrum, from reviews that harmlessly kick off with a personal anecdote, to hybrid pieces that blend literary criticism and longform memoir.” On why critics get personal in their essays.
Yesterday, VIDA released its annual count of women in prominent magazines, and while they found that most of the magazines they looked at still publish significantly more men than women, they reported that The Paris Review and The New York Times Book Review published many more women in 2013 than they did in 2012. Amanda Hess takes a look at VIDA’s findings at Slate.
“What love does in this union is dark and difficult and glorious — and stands on the side of life; who would dare or even want to guess more about it than that; and indeed, you will experience it. Certainly not without interruptions and doubts.” Lou Andreas-Salomé’s poignant advice on love and art to none other than Rainer Maria Rilke is certainly Valentine’s Day-appropriate.