Out this week: The Third Hotel by Laura Van Den Berg; If You Leave Me by Crystal Hana Kim; The Reservoir Tapes by Jon McGregor; Nothing Good Can Come from This by Kristi Coulter; Before She Sleeps by Bina Shah; and Open Me by Lisa Locascio.
“My scant respect for the trade to which I belong (from the most ancient of academicians to the most youthful of libelists) derives from a childhood home in which I grew used to mistreating and misusing almost all the seminal texts from the history of culture.” Javier Marias on the dangers of growing up with too many books.
“When I have an idea that will later, sadly, become a story or a poem, I have a sensation of receiving something. But I do not know if that “something” is given to me by something or someone or if it bursts out on its own.” An excerpt from Borges‘s conversations with the Argentinian poet and essayist Osvaldo Ferrari on writing, memory, and God is now available on The New York Review of Books blog.
Booker-snubbed, but still widely anticipated, Philip Hensher’s King of Badgers is out today. As are Ali Smith’s There But for The, Erin Morgenstern’s uber-hyped debut The Night Circus, and The Taste of Salt by Martha Southgate, who wrote here about writers’ work getting better as they get older.
Ever heard of the Collins Dictionary? It’s the open-source lexicographic collection which apparently accepted “thanx,” but likewise rejected “alleygation” and “mobydickulous.” Consider it the happy medium between The American Heritage and Urban dictionaries.