Out this week: Praise Song for the Butterflies by Bernice McFadden; French Exit by Patrick deWitt; Housegirl by Michael Donkor; We That Are Young by Preti Taneja; and Essential Essays by the late Adrienne Rich.
“Life is weird and dumb and restrictive, but a poem can be whatever the hell you want it to be for god’s sake. Other people will always have opinions, they’re just really none of my business.” In an interview at the Lit Hub, Tommy Pico talks about poetry and his creative process.
Amazon is now aggregating the data from the “highlighting” feature on the Kindle to find out what text is highlighted the most across all Kindle users. Amazon is calling the feature “Most Highlighted Passages of All Time” and the results couldn’t be more boring. (via)
David Foster Wallace has become an American legend in his own right, so it makes sense that he’ll be coming to the big screen soon. Jason Segel will play the famous writer in an adaptation of David Lipsky’s Although of Course You End Up Becoming Yourself with Jesse Eisenberg as Lispky. Can one movie handle this much neurosis?
Need some more Jeanette Winterson in your life? The New Statesman is here with a short story. Titled “Gnomon,” it centers on a medieval blacksmith, Stephen, who’s asked to create his town’s first mechanical clock. Sample quote: “Time is irregular. One hour is not the same length as another.”