Electric Literature has launched the “Read More Women” series—a “stripped-down, feminist version” of the New York Times “By the Book” column—which will feature writers recommending books by women and non-binary authors. First up in the series is Maria Dahvana Headley, author of The Mere Wife.
Why is it okay to say “I’m working on a novel” but not okay to say “I’m working on my novel”? The former is a normal, straightforward, expression, while the latter smacks of arrogance and self-absorption. At Bookforum, Jesse Barron writes about the oddity of Working on My Novel, a collection of retweets (you read that correctly) of writers telling the world about their labors. It might also be a good time to read Dominic Smith on the number of novelists at work in America. (h/t Arts and Letters Daily)
Two Sides of the Book Biz in Britain: A small press specializing in works in translation is seeing success thanks to uniquely personal approach… while the big presses are teaming with supermarket chains in a race to the bottom.
Out this week: The Unwomanly Face of War by Svetlana Alexievich; Madame Zero by Sarah Hall; Fierce Kingdom by Gin Phillips; Gather the Daughters by Jennie Melamed; and Careers for Women by Joanna Scott. For more on these and other new titles, go read our most recent book preview.
Eleanor Catton just became the youngest person ever to win a Man Booker, but we were fans of her long before. Our own Emily St. John Mandel included Catton’s debut novel The Rehearsal on her list of disorienting reads. Paul Murray also recommended the book on his 2012 Year in Reading.