Michael Ondaatje’s The English Patient won the Golden Man Booker Prize, the one-off award celebrating the best work of fiction from the last five decades of the prize. About the prize, Ondaatje said “I wish in fact that those of us on this Man Booker list had been invited to propose and speak about what we felt were the overlooked classics—in order to enlarge what ought to be read, as opposed to relying on the usual suspects.” Read the rest of his illuminating and gracious speech over at Literary Hub.
A couple weeks ago, Darcey Steinke wrote an essay for The Millions in which she remembered her friendship with Barry Hannah. She went into detail about the freewheeling energy of his prose. Now, in a review of Steinke’s latest for Bookforum, Lisa Locascio writes about the author’s own talents. “Many authors bounce the sacred and profane against each another; Steinke blasts them together with the intensity of CERN’s Large Hadron Collider (LHC),” she writes.
“We get the book adaptations we deserve… We need to re-tell these stories over and over because each generation sees them in a different way, needs different things from them. We tell these stories again and again, their survival over time proof of their intrinsic value. People are writing new Zeitgeist-y things all the time of course, but we return to classics because the stories have endured for a reason.” Sky Friedlander on the “Literary Period Piece.”
You’ll have to read this Curiosity to believe it! The surprise bestselling Time-Life series was wildly popular in the late 80s–but why? The answer is a bit less mysterious than one might have hoped. As a consolation, here’s a related essay from The Millions on conspiracy literature.