Out this week: Number One Chinese Restaurant by Lillian Li; History of Violence by Édouard Louis; We Begin Our Ascent by Joe Mungo Reed; All That Is Left Is All That Matters by Mark Slouka; The Melody by Jim Crace; and The Great Believers by Rebecca Makkai.
Alison Baverstock takes a wide eye look at ten ways self-publishing has changed the book world. One item of note? “The copy editor, a traditionally marginalised figure, is now in strong demand.”
Rashard Mendenhall is retiring from the Arizona Cardinals in order to write, among other reasons. “The truth is, I don’t really think my walking away is that big of deal. For me it’s saying, ‘Football was pretty cool, but I don’t want to play anymore. I want to travel the world and write!'” Maybe he’ll be published by another retired sports star’s imprint?
“The most unfortunate / Thing about history / Is not pornos. No, it is how Americans / (And we were talking about men but may I take this opportunity / To be more inclusive, because inclusivity is in!) were once better than they are at present.” In which an imagined David Brooks writes a sestina about misogyny. Here’s a Millions piece in which the real-life Brooks is thought of not as a pariah, but as a harbinger of hope.