Out this week: A new edition of Ayiti by Roxane Gay; Convenience Store Woman by Sayaka Murata; A Place for Us by Fatima Farheen Mirza; Good Trouble by Joseph O’Neill; The Traitor’s Niche by Ismail Kadare; The Verdun Affair by Nick Dybek; Fight No More by Lydia Millet; and Father’s on the Phone with the Flies by Herta Müller.
“Writing is the lonely sport of sad sacks.” The Rumpus interviews Lauren Groff, who’s a bit of a Millions favorite. Here’s her Millions interview and here’s Arcadia as Janet Potter’s Staff Pick this past April. Also, here’s a #LitBeat of a Literary Death Match she competed in earlier this year, in LA.
“I don’t know how to give more of myself than a poem. Every poem I write is more accurate than anything I can ever tweet about it: my interior life, and its struggle and desire to converse with the exterior world.” Tarfia Faizullah writes for Poetry‘s blog about why she doesn’t want to explain her poems, the power of breath, and the frustrating implications of the question, “did it happen to you?”
George Dobbs explores the history of some common cliches for The Airship and makes an elegant argument for being aware of overused phrasing: “The worst fiction might never go beyond widely used tropes, but the best fiction starts with an awareness of them.” We agree, and also hope never to read “It was a dark and stormy night…” again.