Out this week: A new edition of Ayiti by Roxane Gay; Convenience Store Woman by Sayaka Murata; A Place for Us by Fatima Farheen Mirza; Good Trouble by Joseph O’Neill; The Traitor’s Niche by Ismail Kadare; The Verdun Affair by Nick Dybek; Fight No More by Lydia Millet; and Father’s on the Phone with the Flies by Herta Müller.
Willard Spiegelman’s provocative essay in the VQR’s recent State of American Poetry issue, “Has Poetry Changed?” incited quite a few responses. One of the better rejoinders came from William Childress, whose response, “Is Free Verse Killing Poetry,” raises some excellent points. “Poetry needs readers, not writers,” writes Childress. “But how many poets read any poetry but their own?”
At the LA Times, Scott Esposito gives David Lipsky's Although Of Course You End Up Becoming Yourself: A Road Trip With David Foster Wallace a mixed review.
"The notebook is where our interior world makes contact with our exterior world; where our instinct for creation is first made material. Our notebooks are our first messy attempts at self-expression, and the ways in which we express ourselves are changing every day." Sarah Gerard explores the life of the notebook in an essay for Hazlitt. Pair with our own Hannah Gersen's look at other methods writers use to keep their ideas straight, from calendars to collages.
Argentina may be offering a $940/month pension plan for writers. Eligibility requirements include 20 years of work in "literary creation" and five published works with ISBN numbers. This bill was proposed amidst the festivities of the Buenos Aires International Book Expo, one of the biggest book expos in the world.