Out this week: Dead Girls by Alice Bolin; The Secrets Between Us by Thrity Umrigar; Remind Me Again What Happened by Joanna Luloff; The Possible World by Liese O’Halloran Schwarz; and The Unpunished Vice by Edmund White.
Look, we get it. You’re as sad as the rest of us that Frank Ocean’s new album didn’t actually drop on Friday. Luckily, there’s a fantastic essay over at The Atlantic which examines Ocean in the context of Harper Lee and the myth of the reclusive artist: “Channel Orange, like Mockingbird, is an unapologetic masterpiece for people defining themselves at the intersection of lived experience and possibility.”
You probably knew a Lothario was a character before his name grew into a generic euphemism for “Guy You Don’t Want Your Daughter Dating,” but what about “brainiac,” “mentor,” and “pamphlet”? It turns out character names have been making their way into everyday vocabulary for thousands of years.
In a New York Times op-ed piece on violence in children’s literature, Maria Tatar claims that “the savagery we offer children today is more unforgiving than it once was.” Is that really the case? Adam Gidwitz‘s A Tale Dark And Grimm (reviewed by the Times last November), which underscores the violence inherent in Grimm’s tales, can be read as a counterpoint.
This year marks the second anniversary of Asymptote, an international journal focusing on literature in translation. The staff is commemorating the occasion by hosting a series of events in eight different locales around the globe: Beijing, Barcelona, Berlin, Islamabad, Chicago, Taipei, Singapore and New York City. Folks attending The Big Apple’s event on January 20th will get to see Millions contributor Reif Larsen live in action alongside Cole Swensen, Paul Legault, Adam Sorkin, and Ariana Reines.