“For that reason, it’s hard to imagine coming to this book for the first time, and experiencing it in the same way as that college senior back in 2003.” The Outline on the 15-year anniversary of Chuck Klosterman‘s Sex, Drugs, and Cocoa Puffs. (Read our review of the king of pop culture’s newest book.)
“I always had the sneaking and sinking suspicion that there would have been no place for me … there were no Scarlett O’Haras in the Beat world. There were women, certainly, but they felt like cardboard cut-outs, something to move around, admire, shift gently out of the way when necessary. In fact, the only women Kerouac and Ginsberg seemed to genuinely respect were their mothers.” Lynette Lounsbury at The Guardian on falling in love with the Beat generation, which may or may not have loved her back.
This track-by-track take on Jason Isbell’s newest album Something More Than Free is as comprehensive as it is intelligent. Isbell, who rose to fame as a member of Athens, GA mainstays The Drive By Truckers, has seen most of the press narrative around him focus on his trips to rehab and subsequent recovery–this record, however, aims for something more. Here’s our Torch Ballads & Jukebox Music column to satisfy any lingering musical urges.
Out this week: New Boy by Tracy Chevalier; Kintu by Jennifer Nansubuga Makumbi; The Awkward Age by Francesca Segal; The Australian by Emma Smith-Stevens; Evensong by Kate Southwood; Behind the Moon by Madison Smartt Bell; and Bad Dreams and Other Stories by Tessa Hadley. For more on these and other new titles, go read our most recent book preview.
Literary Hub has an excerpt of an essay by Chris Jackson, Editor in Chief of Random House’s One World imprint on how we can actually achieve diversity in the publishing industry. “What’s the payoff of having a more diverse workforce? Well, there’s obviously the moral case to be made—and that’s a case that I think applies to any industry. But in book publishing, I think we have a special obligation, given our central role in shaping the culture.” And he shares the origin story of how he started to work with Ta-Nehisi Coates.
“We are here to take creative risks and to do the sort of work that commercial broadcasters might be more reluctant to do. But we also have a real responsibility and a requirement to reflect a range of British communities.” Bestill our hearts, the BBC is adapting Vikram Seth‘s A Suitable Boy as its first period drama with a non-white cast, reports The Telegraph. Our own Lydia Kiesling described Seth’s epic as “a spectacularly romantic novel, weddings all over,” but noted sadly that “it portends falling in love with the man you can marry, in lieu of the one that you can’t.”