“The older I get, the more my own boundaries seem to be fading, which is terrifying and fascinating in equal measure.” For The Paris Review, Lucie Shelly interviewed Lauren Groff about nature, spirituality, and her newest collection, Florida. (Our review called the collection “startling and precious.”)
The first trailer has been released for the cinematic adaptation of Tracy Letts’s Pulitzer-winning play August: Osage County. Here are two of my favorite scenes (one, two) from the play to whet your appetite. The film, which is directed by John Wells, is scheduled for a November release.
U.S. publishing house Little, Brown had a rough day in the news yesterday. Its coy marketing tactics have rubbed some booksellers the wrong way, reports Julie Bosman for The New York Times. Later on, The New York Post‘s Keith J. Kelly noted that the publisher has dropped one of its bigger titles. Jason Bennett raises some additional questions.
“In this age of 140-character Twitter posts — not to mention a persistent undercurrent of minimalism in our literature — there’s something profoundly rejuvenating about the very long sentence.” From Hrabal to Joyce to Hugo, Ed Park explores the history of the literary long sentence.
“‘Oh,’ she said, ‘a lot of dogs don’t like black people but they’re fine with everyone else.’ … Was this just a workplace microaggression, or are these dogs actually racist? I found myself grappling with the idea that not only do actual humans hate me for being black; dogs could also hate me for reasons that are out of my control.” Kelly Mays McDonald on how we have weaponized dogs in The Awl.
Friends, former students and admirers are rallying around poet Dean Young. Young, who has taught at the University of Iowa Writers’ Workshop and a number of other MFA programs, is in need of a heart transplant, and fellow poet Tony Hoagland has put out a call for help. (Thanks Arna)