“One of the advantages to being a novelist is removing oneself from the chatter of the fray and trying to get a read and a historical context on what’s happening in one’s own time.” The Guardian interviews Rachel Kushner about women’s prisons, remorse, and her new novel, The Mars Room. Pair with: our review calls Kushner’s latest a “brutal, unforgiving, and often grimly funny tour de force of wasted lives.”
Miranda July’s new project, It Chooses You, is a store based on her new book (published by McSweeney’s) of the same name. The store, at Partner’s and Spade in SoHo, is an exercise in buying belongings from New York-area Craigslist sellers and reselling the contents for the exact same price.
“The Common Core State Standards in English, which have been adopted in 46 states and the District, call for public schools to ramp up nonfiction so that by 12th grade students will be reading mostly ‘informational text’ instead of fictional literature,” writes Lyndsey Layton. Is this the end of The Catcher in the Rye?
“Our culture claims to celebrate vigor and well-being, yet holds up steroid-addled men and impossibly thin women as models of physical perfection. Those of us unwilling to juice or starve ourselves are left feeling inadequate and confused about why we do not bear any resemblance to the humans we are meant to emulate.” Michael Ian Black reviews two books about the male physique — and reveals a bit about the unrealistic nature of our cultural expectations.
“I write, always thinking about the generations of black women who came before me, who faced racism and sexism head-on, and in spite of it all, did their work. They encourage me not to despair.” For Vogue, author Brit Bennett writes about 2017, racism, Trump, and the forward progression of time. Pair with: staff writer Ismail Muhammad‘s interview with Bennett.