“One of the advantages to being a novelist is removing oneself from the chatter of the fray and trying to get a read and a historical context on what’s happening in one’s own time.” The Guardian interviews Rachel Kushner about women’s prisons, remorse, and her new novel, The Mars Room. Pair with: our review calls Kushner’s latest a “brutal, unforgiving, and often grimly funny tour de force of wasted lives.”
Life on Mars
Gonzo Film Crit at Gizmodo
At Gizmodo, the art of the Comcast movie summary. (My favorite is The Seventh Sign, though I Know Who Killed Me –an unforgettable piece of so-bad-its-good filmmaking–runs a close second.)
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The Pen Is Mightier Than the Keyboard
“I am so grateful for this tool in my writer’s toolkit. It has liberated both me and my texts from an overbearing approach to ‘getting it right.’” Cara Benson for the Amazon Author Insights blog (full disclosure: Amazon helps us pay the bills over here!) on the benefits of writing and revising by hand. And she’s not the only one who likes to go manual.
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Tuesday New Release Day: Sahota; O’Brien; Doyle; Warren; Majmudar; Poole; Parini
New this week: The Year of the Runaways by Sunjeev Sahota; The Little Red Chairs by Edna O’Brien; Chicago by Brian Doyle; The Destroyer in the Glass by Noah Warren; Dothead by Amit Majmudar; Grateful Dead’s Workingman’s Dead by Millions contributor Buzz Poole; and New and Collected Poems: 1975-2015 by Jay Parini. For more on these and other new titles, go read our Great 2016 Book Preview.
To the Inferno
Hollywood and the Brontes
USA Today suggests that Hollywood’s love affair with Jane Austen is ebbing and, with film versions of Jane Eyre and Wuthering Heights on the way, the bigwigs have moved on to the Brontes.
Babies Don’t Like Snakes
The Greek gods and goddesses were nothing if not self-serving. From Mallory Ortberg over at The Toast, here is an introduction to Dirtbag Hera. Don’t you worry, Dirtbag Athena got her comeuppance, too.
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