Out this week: Warlight by Michael Ondaatje; That Kind of Mother by Rumaan Alam; Come West and See by Maxim Loskutoff; The Lost Empress by Sergio De La Pava; Belly Up by Rita Bullwinkel; and Spring by Karl Ove Knausgaard.
In the latest edition of By the Book, Neil Patrick Harris explains his love of Gone Girl, Steve Martin, and John Kennedy Toole's A Confederacy of Dunces. We’ve written about the series in the past -- you might want to look back on the entries by Neil DeGrasse Tyson and Colson Whitehead.
The Los Angeles Review of Books interviewed Xujun Eberlein, a “China-born and now Boston-based” short story writer, essayist and blogger about recent literary happenings in her native country. The first question they asked has to do with Finnegans Wake, which is selling surprisingly well in Chinese bookstores.
At The New Yorker, Sarah Miller humorously learns why only positive book reviews might be a bad thing. "If St. Petersburg is the Little Engine That Could of city names, then the main character, Raskolnikov, is the Little Engine That Could of elderly pawnbroker murderers," she writes in her review of Fyodor Dostoyevsky's Crime and Punishment.
Johnny Depp’s latest film, Black Mass, which casts the star as Whitey Bulger, hit theaters on September 18th. At Publishers Weekly, author T. J. English argues that Where the Bodies Were Buried: Whitey Bulger and the World That Made Him is necessary to the canon of literature on Bulger, even if it's the 16th book about the mobster.
Robert Fitterman, author of Nevermind, a book of poems created from Nirvana’s seminal album, interviews critic and scholar Paul Stephens about his own work and Nirvana’s art. Looking for more music related lit? Check out our Torch Ballads and Jukebox Music section.