Out this week: The Female Persuasion by Meg Wolitzer; America Is Not the Heart by Elaine Castillo; How to Be Safe by Tom McCallister; See What Can Be Done by Lorrie Moore; Border Districts by Gerald Murnane; The Overstory by Richard Powers; and The Recovering by Leslie Jamison.
“Post-apocalyptic books are thriving for a simple reason: The world feels more precariously perched on the lip of the abyss than ever, and facing those fears through fiction helps us deal with it.” A look at the future of post-apocalyptic fiction from NPR, with a mention of our own Emily St. John Mandel‘s Station Eleven.
BuzzFeed is launching an Emerging Writer’s Fellowship, complete with $12,000 stipend, and Saeed Jones, whose poetry collection Prelude to Bruise was released last year, will be their new Literary Editor. Electric Literature talked to Jones about digital journalism, the need for diversity in writing and publishing, and what he’s looking for in Fellowship applicants.
This essay from Adrian Barnes at The Daily Beast on cancer and fiction and how the two mirror one another is eerie and fascinating. This review of Rebecca Solnit’s The Faraway Nearby from The Millions addresses this tendency of writing and real world illnesses to feed of of one another.
In her new book The Sixth Extinction, New Yorker staff writer Elizabeth Kolbert makes the case that we’re living in the sixth massive die-off of species in our planet’s history. Corraling evidence from zoologists, environmentalists and more, Kolbert argues that human activity is the cause of this latest event. In a review over at Vulture, Kathryn Schulz writes that Kolbert “makes a page-turner out of even the most sober and scientifically demanding aspects of extinction.”
“The myth of the full-time writer is a perniciously sticky one—and it doesn’t help that once in a blue moon a J.K. Rowling does come along, thereby entrenching the cultural delusion that being a full-time writer is a thing that could realistically happen. But the truth is that being a full-time writer is basically just the literary equivalent of a career in the NBA.” Liz Entman Harper talks with seven writers about the struggle to balance writing with a day job, and those interviews pair well with our own Emily St. John Mandel‘s look at “Working the Double Shift.”