Out this week: Circe by Madeline Miller; Heads of the Colored People by Nafissa Thompson-Spires; And Now We Have Everything by Meaghan O’Connell; Though I Get Home by YZ Chin; Sharp: The Women Who Made an Art of Having an Opinion by Michelle Dean; Displaced: Refugee Writers on Refugee Lives edited by Viet Thanh Nguyen; and Black Swans by Eve Babitz.
Supersize Me director and star Morgan Spurlock’s latest project has released its first trailer. Comic-Con Episode IV: A Fan’s Hope profiles the atmosphere and attendees (including Seth Rogen and Kevin Smith) of San Diego Comic Con. It will release this April. (via)
“So much of recovery is a fight against exceptionalism—that necessary act of saying, What I’ve lived has been lived before, will be lived again, is nothing special but still holds meaning, still holds truth.” Chris Kraus interviews Leslie Jamison about recovery, memoir, and her forthcoming title, The Recovering, for The Paris Review. Pair with: our interview with Jamison.
The former Mrs. Elizabeth Gilbert–that is, Michael Cooper, the husband Gilbert left at the opening of Eat Pray Love, has apparently written a book about his life after their divorce. Will it ever be published?
“All I know was that in Paris I felt haunted, like a double exposure photograph that shows a figure and then a milky specter behind. I felt stalked by a creature of my own making, a monster that was both my mother and myself.” Darcey Steinke writes about Paris, loss, and monsters in an essay for Granta.
This might come in handy if you’re trying to escape a bad review, or even avoid hanging out with your family. A team of physicists has developed a theory for “how to cloak a region of space from the quantum world, thereby shielding it from reality itself.” Take that, Harry Potter.
“The only way to get something new out of language, to try and get to what feels like the nearest simulacrum of truth, is to bend and shape that language, to break it’s form and strain against it, to coax it into a shape, to play with it. To revel in the disorderly.” Madeleine Watts writes about Eimear McBride‘s A Girl is a Half-Formed Thing (which our own Hannah Gersen recently reviewed), the limits of language and the necessity of a “Girl Canon” for The Believer‘s blog.