“They are both popular and literary and seem to have no problem standing with a foot in each category.” For The Paris Review, our own Adam O’Fallon Price writes about the “unambiguous sophistication” of Curtis Sittenfeld‘s writing—which is often regulated to the world of “chick lit”—and her new short story collection, You Think It, I’ll Say It. (Read our interview with Sittenfeld.)
You Think It, She’ll Write It
All the Old Showstoppers
Back in the mid-aughts, The New Pornographers were known for having a large number of members with impressive (and exhausting) solo careers. As part of The Rumpus’ Albums of Our Lives feature, Ryan Werner remembers Middle Cyclone by Neko Case.
A Fanfiction Guide
Fanfiction has been gaining mainstream popularity and cultural heft – just take our own Elizabeth Minkel‘s Year in Reading post as evidence. For those of us with less experience in the fic community, Vulture has assembled a comprehensive “Guide to the Fanfiction Explosion,” complete with infographics on Harry Styles fic, an explanation of why Annie Proulx isn’t thrilled about Brokeback Mountain spinoffs, and, of course, a syllabus for further reading.
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Fail Music
Novels written by accomplished writers about failed artists are nothing new. What is new is seeing a once-successful novel about a failed artist — one that’s been out-of-print for twenty years — get a burst of renewed attention.
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Goodbye To All That
Benjamin Anastas has bid goodbye to the Twitter Village, and he thinks more writers should do the same. “There is a longing built into our online lives that can lead us to healthy attachments with multiple partners, a kind of polyamory of the mind, but it can also encourage the furtive transmission of waxed-chest photos and cock-shots,” he writes. “These are extreme examples of the kind of lonely misfires that Twitter allows, but I felt the temptation to seek comfort from my Twitter feed often enough to realize that it was only a matter of time before I did something embarrassing.”
Retromania
When authors tweet: the cautionary tale of Brett Easton Ellis.
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Touré Calls The Help Loathsome
Touré says watching The Help was like visual waterboarding.
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Takeaway Point
Zadie Smith could write herself out of a Chinese takeout box, and that’s exactly what she does in her essay on the differences between British and American takeout culture, “Take It Or Leave It,” for The New Yorker. “I don’t think any nation should elevate service to the status of culture.”
Art as Activism
“In the media there are a very limited number of ways that people are used to seeing sex-worker characters, and I definitely wanted to break out of that.” The Los Angeles Review of Books interviews Aya de León about her debut novel, Uptown Thief.