“They are both popular and literary and seem to have no problem standing with a foot in each category.” For The Paris Review, our own Adam O’Fallon Price writes about the “unambiguous sophistication” of Curtis Sittenfeld‘s writing—which is often regulated to the world of “chick lit”—and her new short story collection, You Think It, I’ll Say It. (Read our interview with Sittenfeld.)
You Think It, She’ll Write It
#workingonmynovelaboutyournovel
Cory Arcangel‘s Working on My Novel is composed solely of tweets from people who (one is led to assume) are engaged in the singularly tragic enterprise of writing books that, unlike Working on My Novel, will take years to complete, yet won’t be published by Penguin or noticed by The Paris Review. Oh, the meta-irony. And now I’ve just honored it with a Curiosities post.
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Two New Marilynne Robinson Books In the Works
Marilynne Robinson is at work on a book about the Old Testament, says Casey N. Cep on Twitter. Word on the street is that it won’t come out until after she finishes Lila, her third book set in the Gilead universe.
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“You could say that the book [A Sport and a Pastime] is a long poem to provincial France.”
In a video introduced by Paul Yoon, James Salter (who was recently interviewed by our own Sonya Chung) speaks about his time in France and his experience writing A Sport and a Pastime.
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Moonstruck
Margaret Wise Brown was nothing if not an interesting figure. The Goodnight Moon author, whose life is the subject of a new biography, loved hunting, partying and staging stunts, among them founding a club that claimed they could reschedule Christmas. She kept homes in Greenwich Village and a tiny island off Maine. At Slate, Laura Miller reads the new book by Amy Gary. You could also read our own Jacob Lambert’s critical review of kid’s picture books.
Katherine Mansfield: Book Reviewer
In a short biographical piece for Open Letters Monthly, Sam Sacks writes about the book reviewing career of Katherine Mansfield and the ways in which it “helped her build the writing muscles needed” to finish her masterful short stories. While some critics might take umbrage at the way Sacks characterizes Mansfield as “turning out deadline copy like an ink-stained Fleet Street hack,” his look into her reviews culminates in the realization that “the point [of reviewing books] is not to be constructive but to construct something of lasting value in the little space and little time you’re granted. Like all writing, it should be a passion, not a pastime. The point is to dazzle.”
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Writerly Relations
In an interview with Big Think back in 2008, David Remnick said of Philip Roth that the writer “would have been my father had Philip Roth not been a literary intellectual but rather an orthodontist in North Jersey.” At The New Yorker’s website, Remnick eulogizes Roth’s work upon his retirement. (Keith Meatto did the same thing for us.)
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Bill Watterson Speaks
The Cleveland Plain-Dealer published an interview with Calvin and Hobbes creator Bill Watterson, reportedly his first since 1989. The Washington Post talked to the Plain-Dealer reporter about how he scored an interview with the reclusive cartoonist.