“There tends to be this idea that every piece and every assignment and every gig is always something speaking from the soul. We think that about great writers, that they’re incapable of doing hackwork.” The Rumpus interviewed Michelle Dean about women writers, the research process, and her forthcoming book, Sharp: The Women Who Made an Art of Having an Opinion. Pair with: Dean’s 2016 Year in Reading entry.
"Wallace's status has rapidly evolved from marginal writer, noted for long, experimental work, to indispensable reference point for people writing about almost anything—from college football to WikiLeaks." On the powerful afterlife of David Foster Wallace.
“What stereotypes will they critique, destroy, or create? What, in other words, will the post-earthquake novel reveal about Haiti’s most recent losses, obstacles, and hopes for the future?” Patti Marxsen on the post-earthquake Haitian novel, over at The Critical Flame.
The day has come. Amazon just announced that it is now selling more e-books than physical books, and its ad-infused "Kindle with Special Offers is already the bestselling member of the Kindle family." Meanwhile, it's still news when a well-known author publishes an e-book (in this case, Susan Orlean's new Kindle Single Animalish).
At Salon, Kyle Minor listens to an audiobook recording of Joan Didion's Salvador and finds that it remains "immediately relevant to a new reader whose memory of its context is more the kind of memory that arises from having read books about history than one that arises from having been old enough in 1983 to understand the meaning of phrases such as death squad, or body count, or mechanism of terror."
Where does the “panic attack when you think you’re not reading enough” fit in to all of this? Here are a few professional readers on how they keep from mixing business with pleasure. This essay on Lewis Lapham and reading just for pleasure might also tickle your fancy.