The 87th annual California Book Awards, which “recognizes the state’s best writers and illuminate the wealth and diversity of literature written in California,” announced this year’s finalists. The nominees include Rachel Khong‘s Goodbye, Vitamin, Viet Thanh Nguyen‘s The Refugees, and Zinzi Clemmons‘s What We Lose (here’s the full list). From our archives: The Millions’ interview with Khong.
Annalee Newitz asks "What does science fiction tell us about the future of reproductive rights?"
It’s two weeks past Mardi Gras, so you’re probably ready to revisit New Orleans by now. Good timing. Narrative.ly has a week’s worth of stories on the Big Easy, entitled “Beyond Bourbon Street.” (Related: I recommend reading Tulane’s Richard Campanella’s recent piece for Design Observer: “Hating Bourbon Street.”)
"But even among its peers, Louie is an outlier. It is a show that, more than any other, both caters to this new kind of audience — the Laptop Loners — and has, as its creator, a member of the club...we are living in the iGeneration, in which the self is projected back toward the world via social media. But whereas many Americans weave their public personas from curated chains of cultural signifiers — think of the popular web platform tumblr, where users 'express themselves' by posting digital reproductions of existing images — [Louis] C.K. aims for something more penetrating, a filmic representation of his own psyche," claims the Los Angeles Review of Books.
Our regular contributor Sonya Chung is interviewed in the latest issue of Bookslut, discussing her new book Long for This World. "I write novels because it’s a place where I can bring all of who I am, and what I know, and what I don’t know but want to know, into a coherent, created world."