The 87th annual California Book Awards, which “recognizes the state’s best writers and illuminate the wealth and diversity of literature written in California,” announced this year’s finalists. The nominees include Rachel Khong‘s Goodbye, Vitamin, Viet Thanh Nguyen‘s The Refugees, and Zinzi Clemmons‘s What We Lose (here’s the full list). From our archives: The Millions’ interview with Khong.
87th Annual California Book Awards Finalists
Possession is Nine-Tenths of the Law
The newest issue of Granta features some seriously captivating work, like this poem by Juliana Spahr and this story by Lorna Gibb, among many others. This “Possession” issue pairs well with an essay by our own Lydia Kiesling on possessing one’s own words and the narrative potential of leaked emails.
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Soda Series Tonight
The 11th Soda Series is tonight at the Soda bar in Brooklyn (Prospect Heights). The special reading and conversation will feature Susan Daitch, Brian Evenson, and Bradford Morrow.
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You Can’t Go Home Again (If You Understand What This Means)
The 113th anniversary of Thomas Wolfe’s birthday was last Thursday, but the author lives on in America’s cultural memory thanks to the title of his 1940 novel, You Can’t Go Home Again. Unfortunately, the titular phrase seems to be taken at face value by many people these days, and that can lead to some groan-worthy invocations. A newly-minted Tumblr blog illustrates the point.
Public Radio, Straight No Chaser
WNYC’s Jazz Loft Project series is absolutely essential listening: a portrait of New York’s bygone bohemia, complete with resident genius Thelonious Monk. And a book version is out this week from Knopf – a great gift idea for jazz lovers.
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Pulitzer Playlist
Soundtracks make for excellent background music when writing a Pulitzer Prize-winning novel. Junot Díaz wrote his first book with the Conan the Barbarian soundtrack on loop, he said during an interview with The Daily Beast.
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The New World hits virtual shelves
Chris Adrian’s The New World, a digital-platform book we wrote about before, is now on shelves. I mean that idiomatically and not literally — as none of the editions favored by The Atavist’s young publishing arm for this lyrical love story of life after death (interactive ebook app, text-only Kindle/iBook/Google) involve paper.