Out this week: American Histories by John Edgar Wideman; Bury What We Cannot Take by Kirstin Chen; The Italian Teacher by Tom Rachman; Aetherial Worlds by Tatyana Tolstaya; and Alternate Side by Anna Quindlen.
“My process for writing is the same, regardless of form: I abandon my children, I become a horrible husband, and a half-assed teacher. That’s what it all has in common.” Adam Johnson interviewed for Tin House in conjunction with the release of his new collection of short stories, Fortune Smiles.
Spooky! The good folks over at The New York Times understand that there is only so much time left to bask in the eerie Halloween vibe, so they’ve put together this helpful list of the latest and best in horror fiction to help you find something suitably scary to read.
“My mind flashed that disembodied jaw at me in a jaw’s version of full color; a dirty white that bone and snow agree on.” This piece of original short fiction from Kashana Cauley at The Daily Beast will make you never want to set foot in a Hermés store–or even just shop on Black Friday.
In the late fifties, an old flame of Samuel Beckett, Ethna MacCarthy, fell ill and died of throat cancer in Dublin. Around this time, female voices began to enter Beckett’s work, which up until that point had featured almost exclusively male characters. Was there a connection? In a review of a new edition of Beckett’s letters, Fintan O’Toole suggests that there was. You could also read Elizabeth Winkler on the author’s bilingual oeuvre.