Out this week: Men and Apparitions by Lynne Tillman; The Sparsholt Affair by Alan Hollinghurst; The Parking Lot Attendant by Nafkote Tamirat; The Last Watchman of Old Cairo by Michael David Lukas; Memento Park by Mark Sarvas; and The Merry Spinster by Mallory Ortberg.
A hundred years after the First World War began, many people are looking anew at the conflict, among them Thomas Laquer, who wrote a lengthy reflection of its causes in an LRB review of Christopher Clark’s The Sleepwalkers. In The New Yorker, George Packer uses the war as a jumping-off point for an essay on a broader topic: the evolution of war literature in the modern world.
At N+1, Marco Roth autopsies “the neuronovel” – think Motherless Brooklyn (Tourette’s), The Curious Incident of the Dog in the Night-Time (autism), Lowboy (paranoid schizophrenia), The Echo Maker (Capgras syndrome), and Atmospheric Disturbances (Capgras again?) – and finds “sign[s] of the novel’s diminishing purview.”