“I am writing a book my father will never see. Not in its entirety, not out in the world.” For Longreads, Nicole Chung writes about adoption, family, writing, and finishing her upcoming memoir, All You Can Ever Know, in the wake of her father’s sudden death. Pair with: Julie Buntin‘s Year in Reading entry which feature’s Chung’s memoir.
Attention! The finalists for the 2016 Oddest Book Title of the Year award have been announced — my personal favorite has to be Reading From Behind: A Cultural History of the Anus. Pair with the ever exciting Bad Sex in Fiction award and you’ve got yourself your own little literary Oscars party.
Photographer Rose-Lynn Fisher uses powerful scanning electron microscopes to provide “an unexpected view of [a] familiar subject: … human tears.”
“How can we trust ourselves? Trust that our skills will return? Trust that this blank document—this one, right now—won’t be our undoing? The previous essay I wrote won’t save me when the blank document stares, and the deadline looms, and the editor lurks, and the readers wait.” Mensah Demary on writing and forgetting.
This is a fantastic piece on W. H. Auden, “The Murder of Lidice”, and the importance of the ideological and political contexts of war. Joanna Bourke writes, “the flood of poems [after the Lidice massacre] actually served to draw attention away from the people of Lidice and towards the swollen sensibilities of the poets and their readers.”
“You can’t read books all the time; trust me, I’ve tried (and like I said to the officer, at least I wasn’t texting and driving).” Simon Lowe chooses his 10 favorite book podcasts for The Guardian. We featured a list of some must-listens earlier this year too.
The debut issue of Candor magazine is like a Sassy for the intellectual set, rife with wit (Emily Gould and Merisa Meltzer discuss Away We Go), intelligence (writer mother Rachel Zucker and woman writer Sarah Manguso speak candidly about identity, motherhood, women’s prejudices and writing), and women’s rights (Atossa Abrahamian considers the rhetoric of the rape victim).