“I am writing a book my father will never see. Not in its entirety, not out in the world.” For Longreads, Nicole Chung writes about adoption, family, writing, and finishing her upcoming memoir, All You Can Ever Know, in the wake of her father’s sudden death. Pair with: Julie Buntin‘s Year in Reading entry which feature’s Chung’s memoir.
All She Can Ever Know
And the Funnel Came Down
“I had dreams about tornadoes. I dreamed of houses collapsing, people searching through rubble for dead bodies. Most of these dreams involved watching a large tornado in a field as it moved directly toward me. Like the scene early in the film The Wizard of Oz when Dorothy looks out the window and sees the tornado approaching, that sense of doom is always present in my dreams.” At the Paris Review Daily, Brandon Hobson reflects on a lifelong fear of bad weather.
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Marginalia in the Digital Age
With the advent of e-books and digital reading, does marginalia still exist? Alexandra Molotkow looks at how this writing form has evolved.
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FYI: GRH
The editor of the sumptuous Aussie lit-mag Torpedo – a kind of antipodean McSweeney’s – interviews a recent contributor: me (2).
It’s just not the same, is it?
Don’t like the idea of reading e-books to your kids? Turns out you’re not alone — a new study reported in the Christian Science Monitor says (pdf) that seventy percent of parents who own iPads prefer to use print books when reading to their children. If you read these articles, you might have seen this coming.
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Bubbles and Zeroes
There’s been a lot of digital ink spilled about the traumas lurking in the comment section. It’s almost a rite of passage to get abused for something you write. But there’s another kind of trauma — what happens when you get no comments at all? At The Rumpus, Rachel Newcombe writes about a new kind of emptiness.
Father of Sci-Fi?
“John Milton—poet, free speech advocate, civil servant, classics scholar—was arguably a forefather to Asimov, Bradbury, Delaney, and the rest. Their outlandish other worlds owe a debt to his visionary mode of storytelling; their romance—characters who go on quests, encounter adversaries at portals, channel the forces of light and dark—is his, too.” Over at Slate, Katy Waldman makes the argument for Milton as sci-fi author. Pair with our discussion of his epic Paradise Lost as part of this piece about difficult books.
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Family Matters
Piggybacking off a brief aside in Ian Frazier’s new review of James Agee’s Cotton Tenants, Claire Kelley explores an odd and intriguing question: was Agee related to Walt Whitman? (Related: Mallory Ortberg on the probability that Whitman did the dirty with Oscar Wilde.)
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