“So much of recovery is a fight against exceptionalism—that necessary act of saying, What I’ve lived has been lived before, will be lived again, is nothing special but still holds meaning, still holds truth.” Chris Kraus interviews Leslie Jamison about recovery, memoir, and her forthcoming title, The Recovering, for The Paris Review. Pair with: our interview with Jamison.
VQR has published an essay by Chris Fischbach of Coffee House Press that provides an overview of some of the innovative small presses at work today. Fischbach specifically mentions Tin House, Melville House and Two Dollar Radio as “nimble” publishing houses that “can try things big publishers might not find worthwhile or consistent with the aims of a traditional publishing program,” such as producing micro-budget films or illustrated versions of classic works of literature.
Late November brings work of another favorite Madrileño to the forefront. The final book of Javier Marías‘s Your Face Tomorrow trilogy, Poison, Shadow, and Farewell, will be published at the end of the month by New Directions. The incomparable Marias will make two New York appearances, a reading at the 92nd St Y (with Paul Auster) and a conversation with Paul Holdengräber at the New York Public Library.