Out this week: The Strange Bird by Jeff VanderMeer; The Wedding Date by Jasmine Guillory; A Long Way Home by Peter Carey; Claude Before Time and Space by Claudia Emerson; and The Neighborhood by Mario Vargas Llosa.
Out this week: All My Puny Sorrows by Miriam Toews; The Letters of TS Eliot: Volume 5; Rocket and Lightship by Adam Kirsch; The Unspeakable: And Other Subjects of Discussion by Meghan Daum; and a single-volume edition of Jeff VanderMeer’s Southern Reach trilogy. For more on these and other new titles, check out our Great Second-half 2014 Book Preview.
In one of the most delightful photography projects of late, authors have dressed up as their favorite children’s book characters for Cambridge Jones’s 26 Characters exhibition at The Story Museum. Neil Gaiman looks particularly dashing as Badger from The Wind in the Willows. The exhibition will run from April 5 to November 2 in Oxford, U.K.
“I’m trying to think of something really suitable to say. What do you think I should say? Look, you tell me what to say and I’ll say it.” That was Doris Lessing, who found out she’d won the Nobel Prize from a group of journalists who surrounded her when she was exiting a taxi. NPR has that great audio, plus other reactions of former Nobel literature laureates, including Toni Morrison, William Faulkner, and Mario Vargas Llosa.
Our own fearless editor-in-chief, Lydia Kiesling, admires Lessing, but felt rather differently about reading one of her most famous works, The Golden Notebook: “Among other things, she did an uncanny job of creating a malaise that was actually infectious. It oozed right off the page and into my own spirit.”
I’ve written before about Matthew Jockers‘s claim, as reported and presented by the Paris Review, that there are only about 6 plots in fiction. Now Dan Piepenbring returns to the Review to respond to critics who and attempt to answer the questions “is it really possible to assign every word a reliable emotional valence? And even if the answer is yes, can we really claim that all the plots in the history of literature take so few basic forms?”
We’re surprised McSweeney’s didn’t think of this sooner: A handsome large-format volume called Art of McSweeney’s; Chris Ware and many more. There’s also a debut that’s been getting some notice, Mr. Peanut by Adam Ross. And finally, sometime Millions interviewee and interviewer Nic Brown has a new novel out: Doubles.