Out this week: The Strange Bird by Jeff VanderMeer; The Wedding Date by Jasmine Guillory; A Long Way Home by Peter Carey; Claude Before Time and Space by Claudia Emerson; and The Neighborhood by Mario Vargas Llosa.
When Pleasanton mom Siah Fried and her co-author wrote Tales from Swankville, a book about hyper-competitive parenting in suburbia, they didn’t expect their neighbors to take it so personally.
“Summer morning is risen / and to even it wends / and still I’m in prison / without any friends.” Start your Monday off right with this piece from The Paris Review on John Clare, Christopher Smart, and the poetry of the asylum. Speaking of the madhouse, here’s a piece on Anne Sexton and her book Transformations.
For Guernica, Tana Wojcznick explores the belief in populism in Shakespeare’s often-misread play Coriolanus. She writes, “Coriolanus criticizes the people he claims to want to represent not simply because they are a mob, but because as a single body they are too easily swayed in their opinion, too easily flattered.” Pair with this Millions essay on rewriting Shakespeare.
“The second prophecy was even more intense than the first one, and introduced a lot of new rules I didn’t even know existed, but everyone else seemed to kind of already know about them. But you know what? We’re a misfit band of teens who will do anything for each other now, like stand up to that town bully who’s not even scary to us anymore, now that we’ve faced pure evil and lived.” An excerpt of Mallory Ortberg’s best-selling YA novel.
At The Rumpus, Shawn Andrew Mitchell reviews Dark Lies the Island, the new short story collection by the Irish writer Kevin Barry. Mitchell quotes a number of the book’s more interesting idioms and perceives “an impolitic decadence to how Barry couples his words.” (Related: we interviewed Barry a few weeks ago.)