“And now An American Marriage, with its ruminations on masculinity, married life, and what constitutes marital debt, manages the trick of arriving at the right time while also feeling utterly untethered to just one era.” BuzzFeed News profiled writer Tayari Jones about her life, oeuvre, and fourth novel, An American Marriage. Pair with: Jones’s 2017 Year in Reading entry.
Among the better tidbits from Gary Shteyngart’s diary of his book tour for Little Failure is the fact that he’s apparently had fellow Russian immigrants ask him to sign books for “a failed paralegal” and “a worse failure than even you.” If, after reading that, you’d like another dose of Shteyngart, you could do worse than his Year in Reading entry.
“A story works when there’s momentum, life behind the words,” Mary Miller told Matthew Salesses at The Rumpus. She needs that momentum for her new novel, The Last Days of California, about a family driving to California for the rapture. Also, Amy Butcher wrote about her favorite Millerisms at Hobart.
“I’m drawn to books that deal in fragments and digressions, authors that patch together something larger from these pieces while also letting them stand on their own.” Sam Stephenson writes about “reimagining what a biography can look like” and reading Tennessee Williams: Notebooks, edited by Margaret Bradham Thornton, in a piece for The Paris Review. He also mentions Tennessee Williams: Mad Pilgrimage of the Flesh, which Tyler Gillespie recently reviewed for The Millions.