“It’s about what they call Native Excellence — and creating a path to it with its own expectations and standards, instead of relying on those established by white academia or publishing.” BuzzFeed News wrote an in-depth feature on the Institute of American Indian Arts (IAIA), which offers the US’s first indigenous-centered MFA program, Terese Marie Mailhot (author of Heart Berries: A Memoir), and Tommy Orange (author of There There). Read our interview with Marcie Rendon about writing a representative novel for today’s Native Americans.
Why do the British tell the best children’s stories? Perhaps because their culture has remained in touch with its pagan folklore, whereas in the United States, more pragmatic tales of morality, Christian obedience, and bootstrap-lifting rose to prominence. Also, picture books: general good thing for children or roadmap to total the moral collapse of society?
Over at Bloom check out this 3-part feature—a conversation and excerpts—on fiction writers-cum-memoirists Robin Black (If I Loved You I Would Tell You This, Life Drawing) and Natalie Serber (Shout Her Lovely Name)—former classmates at the Warren Wilson low-res MFA program, both later-life bloomers, and both “writing for their lives” in new memoirs.
This independent bookstore in Alabama has a novel concept–selling only signed copies of books. Alabama Booksmith is just one of many independent bookstores looking for new ways to survive in the world. This Millions interview with Janet Geddis, the founder of Avid Bookshop in Athens, Ga, is both hopeful and inspiring.
Just in time for Labor Day, the folks at Open Road Media have assembled their annual video of writers talking about the day jobs they’ve left behind. Did you know James Salter sold swimming pools? Or that Edna O’Brien used to weigh babies in a chemist’s shop? This year’s installment can be found here; last year’s over here.