Out this week: The Perfect Nanny by Leïla Slimani; Fire Sermon by Jamie Quatro; A Girl in Exile by Ismail Kadare; The Job of the Wasp by Colin Winnette; The Immortalists by Chloe Benjamin; Peculiar Ground by Lucy Hughes-Hallett; Neon in Daylight by Hermione Hoby; This Could Hurt by Jillian Medoff; The Afterlives by Thomas Pierce; Grist Mill Road by Christopher J. Yates; and King Zeno by Nathaniel Rich. For more on these and other new titles, go read our brand new book preview.
Adonis, the great Syrian poet, has reproduced and adapted one of the ancient Muallaqat (The Suspended Odes) originally written by Zuhayr. The reproduction is hand-written on a scroll of paper, and then painted on, thereby “creating a new and contemporary interpretation of the text.”
Recommended Reading: Can desire thrive without freedom? On the works of Margaret Atwood and Michel Houellebecq in The Atlantic. Our essay on Atwood’s vision of the future and review of Ben Jeffery’s Anti-Matter: Michel Houellebecq and Depressive Realism pair nicely.
The recent release of the transcription and accompanying CDs of Jacqueline Kennedy’s interviews with Arthur M. Schlesinger, Jr. in 1964, less than four months after her husband’s assassination, have left a writer wondering why nobody talks about Jackie O for who she really was – a mean girl.