Out this week: The Perfect Nanny by Leïla Slimani; Fire Sermon by Jamie Quatro; A Girl in Exile by Ismail Kadare; The Job of the Wasp by Colin Winnette; The Immortalists by Chloe Benjamin; Peculiar Ground by Lucy Hughes-Hallett; Neon in Daylight by Hermione Hoby; This Could Hurt by Jillian Medoff; The Afterlives by Thomas Pierce; Grist Mill Road by Christopher J. Yates; and King Zeno by Nathaniel Rich. For more on these and other new titles, go read our brand new book preview.
We’re pleased to announce a new feature here on The Millions, “Ask the Writing Teacher.” Our own Edan Lepucki will now be taking your questions about all things writing related, dialogue, plot, point of view, or other elements of writing that might be putting a pickle in your prose. Send your questions her way at askthewritingteacher[at]gmail[dot]com
Jorge Louis Borges’s suggestions for the thirty-three books to begin his famed Library of Babel includes works by Oscar Wilde, Franz Kafka, and even Borges himself–and, maddeningly, no women. Nothing against Borges, but you may want to spend some time with our own slightly more diverse Year in Reading series for a bit more variety.
A memoir by Winnie-the-Pooh author A.A. Milne shows a writer frustrated at how his creation undermined his adult literary cred. Republished 70 years after it went out of print, It’s Too Late Now reveals a trapped Milne wishing for more control over his own narrative: “I wanted to escape from [children’s books] as I had once wanted to escape from Punch; as I have always wanted to escape. In vain. England expects the writer, like the cobbler, to stick to his last.”
Yesterday we noted that The Pale King is now available for pre-order. It turns out another new David Foster Wallace book will be out before the long-awaited final novel hits shelves. In December, Columbia University Press will put out Wallace’s undergrad thesis Fate, Time, and Language: An Essay on Free Will. From the publisher description: “Long before he probed the workings of time, human choice, and human frailty in Infinite Jest, David Foster Wallace wrote a brilliant philosophical critique of Richard Taylor’s argument for fatalism. In 1962, Taylor used six commonly accepted presuppositions to imply that humans have no control over the future. Not only did Wallace take issue with Taylor’s method, which, according to him, scrambled the relations of logic, language, and the physical world, but he also called out a semantic trick at the heart of Taylor’s argument.”