Out this week: The Only Girl in the World by Maude Julien; Witch Wife by Kiki Petrosino; In the Fall They Come Back by Robert Bausch; and Women and Power by Mary Beard. For more on these and other new titles, go read our most recent book preview.
“Reading is a type of reckoning with the self. That may sound like a simplistic platitude, but platitudes exist only because they are true, our self-serving intellectual mirrors be damned.” Cher Tan shares a lifetime’s reading history with Catapult, tracing her trajectory from “[k]eeping up with the boys” during high school to this past year, in which she made a personal pact to read only books written by people of color. Pair with our own Nick Ripatrazone in conversation with six authors on their childhood reading.
Riffing on R&B singer Ernie K-Doe’s one-time statement, Chris Rose writes in the Oxford American, “I’m almost positive that all music, at least all American music, comes from Louisiana.” The essay appears in this year’s OA Southern Music Issue, a reliably excellent source of tunes and writing. Indeed, as Dwight Garner put it in The New York Times, the CDs that accompany each annual issue “practically belong in the Smithsonian.”
Espresso Book Machines are coming to Barnes and Nobles stores in New York, New Jersey and Pennsylvania, allowing customers to “make a physical print book of a hard-to-find book, a public domain title or self publish a book.” Espresso Book Machines also win our prize for “Most Misleading Machine Name.”
It’s 2014, but we still don’t have self-driving cars despite Isaac Asimov’s predictions. In 1964, Asimov contemplated what the world would be like 50 years later. He was fairly accurate according to David Wogan at Scientific American. “Asimov got a lot right…about how technology keeps advancing at a rapid clip, freeing humans from mundane and routine tasks. It’s the Google-fication of everything.”