Out this week: The Vanishing Princess by Jenny Diski; Three Daughters of Eve by Elif Şafak; One Station Away by Olaf Olafsson; The World Goes On by László Krasznahorkai; and No Time to Spare by Ursula le Guin. For more on these and other new titles, go read our most recent book preview.
Tuesday New Release Day: Diski; Şafak; Olafsson; Krasznahorkai; le Guin
This is the way the film ends
Blasphemy Alert: They’re giving the film version of August: Osage County a “less downbeat” ending. Curse you, Harvey Weinstein! Is nothing sacred? Can a woman not lament the disintegration of her life, family, and mental stability while the final lines to T.S. Eliot’s “The Hollow Men” are read by her housekeeper? Has America gone soft?
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Trethewey’s Inaugural Reading
Natasha Trethewey will give her inaugural reading as the U.S. Poet Laureate tonight at the Library of Congress. The event is free and open to the public, and some of Trethewey’s work can be found here, here, and here.
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Failing Upwards
Recommended Reading: Tony Kushner’s recent speech at the Whiting Writers’ Awards.
Just Like, “Gross”
“excited to get over you by being obsessed with somebody who doesn’t want me.” Poetic Twitter accounts are all the rage. Over at The New Yorker, Haley Mlotek takes an in-depth look at one account in particular that is toeing the line between dark humor and debilitating sadness, @SoSadToday.
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It’s All a Game
As you probably read last week, Elon Musk (founder and CEO of Tesla Motors and SpaceX) is sure that we’re living in a computer-generated simulation. Over at The New Yorker, Joshua Rothman takes a hard look and tries to determine the actual odds of humans inhabiting a simulated world.
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The Modernist Master of Sci-Fi?
If you enjoyed David Auerbach‘s piece on Thomas M. Disch, we recommend you check out this overdue profile of Samuel R. Delany, whose magnum opus, Dhalgren, truly is “like Gertrude Stein: Beyond Thunderdome.”
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#LastTweet
The Times collects the final tweets of a number of celebrities who died this year. They are generally banal but the context turns them poignant.
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Brutality and Pragmatism
“Will anyone in America give a damn about Beig? It’s hard to imagine our glittering zeitgest machine ever getting behind her, with her landscape, her women, her knowledge of the secret lives of animals born for the hatchet. Her writing, so invested in the disappearing rural world, is particular, yes, but universal: her characters love and long and pine away.” Matthew Neill Null is unsatisfied with how American readers have treated the work of the great German novelist Maria Beig. He makes a passionate case in her favor in this new essay over at The Paris Review.
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