Out this week: The Vanishing Princess by Jenny Diski; Three Daughters of Eve by Elif Şafak; One Station Away by Olaf Olafsson; The World Goes On by László Krasznahorkai; and No Time to Spare by Ursula le Guin. For more on these and other new titles, go read our most recent book preview.
Tuesday New Release Day: Diski; Şafak; Olafsson; Krasznahorkai; le Guin
The Book of the Dead
“Reading the Grateful Dead is not a history of the band; it is a study of the landscape they and their fans created, as surveyed from a caravan that crisscrossed the country, Europe, and even Egypt for roughly 2,300 shows over 30 years.” Dead Head Buzz Poole takes a look at “Grateful Dead studies.” (The song that turned him, it turns out, was ‘Scarlet Begonias.’)
●
●
My Dear Meat Paste
The Scottish poet Robert Burns’s “Address to a Haggis” might well be the most famous ode to a food product in the English canon. At The Paris Review Daily, Sadie Stein celebrates Burns’s birthday by reflecting on the poem, which starts off by describing haggis as the “chieftain of the pudding race.”
●
●
Tuesday New Release Day: Barrett; Gurganus; Levy; Vann; Beatty; McGuane; Ishiguro
Out this week: Young Skins by Colin Barrett; Decoy by Allan Gurganus; The Unloved by Deborah Levy; Aquarium by David Vann; The Sellout by Paul Beatty; Crow Fair by Thomas McGuane; and Kazuo Ishiguro’s first new novel in ten years (which our own Lydia Kiesling reviewed yesterday). For more on these and other new titles, check out our Great 2015 Book Preview.
●
●
Paris in a Podcast
“[A]n audio odyssey through fiction, archival tape, interviews, and late nights with the likes of James Baldwin, Dorothy Parker, and the cutting-edge writers of our time. Featuring readings from LeVar Burton, Stockard Channing, Jesse Eisenberg, Marc Maron, Eileen Myles, David Sedaris, Dick Cavett, Dakota Johnson, and more!” Did you know The Paris Review has a new podcast? See also: our interview with current TPR editor Lorin Stein.
The Future of the Post-Apocalyptic
“Post-apocalyptic books are thriving for a simple reason: The world feels more precariously perched on the lip of the abyss than ever, and facing those fears through fiction helps us deal with it.” A look at the future of post-apocalyptic fiction from NPR, with a mention of our own Emily St. John Mandel‘s Station Eleven.