“According to an interview with her publishers in the Italian literary newsletter Il Libraio, translated in The Guardian, Ferrante is putting pen to paper once more.” A year after Elena Ferrante‘s alleged true identity was revealed by a journalist, the intensely-private author is writing again but has no plans to publish a novel in 2018. Pair with: staff writer Marie Myung-Ok Lee‘s essay on Ferrante, privacy, and woman writers.
Return of the Ferrante
Calvin’s Snow Sculptures: Animated
Some of the most enduring images from Bill Watterson’s Calvin and Hobbes series are Calvin’s disturbing snow sculptures. Apparently, Jim Frommeyer and Teague Chrystie agree, and so they crafted this lovely video tribute just in time for the holidays. (via)
●
●
NO MA’AM: Were You Aware Of It?
Who’s afraid of Amazonian masterhood?: NO MA’AM is (National Organization of Men Against Amazonian Masterhood).
●
●
Wrecked Modern Romance
“[Virginie] Despentes has become a kind of cult hero, a patron saint to invisible women: the monstrous and marginalized, the sodden, weary and wildly unemployable, the kind of woman who can scarcely be propped up let alone persuaded to lean in.” On Virginie Despentes’s Bye Bye Blondie and French feminist pulp that pulls no punches.
With Time Running Out
Why do some ideas only come to you when you’re under a tremendous amount of pressure? At the Ploughshares blog, S. Hope Mills reflects on the importance of deadlines, which may explain (according to Guardian columnist Robert Crum) why Dickens chose to serialize his novels.
●
●
More on Stefan Zweig
Wes Anderson’s latest movie sparked a minor literary revival after it came out that much of it was based on the works of Stefan Zweig. Jason Diamond argued that Zweig may finally be getting the due he deserves in America. At the LARB, Tara Isabella Burton reads the author’s collected stories.