“According to an interview with her publishers in the Italian literary newsletter Il Libraio, translated in The Guardian, Ferrante is putting pen to paper once more.” A year after Elena Ferrante‘s alleged true identity was revealed by a journalist, the intensely-private author is writing again but has no plans to publish a novel in 2018. Pair with: staff writer Marie Myung-Ok Lee‘s essay on Ferrante, privacy, and woman writers.
David Gessner thinks Wallace Stegner and Edward Abbey are more relevant than they’ve ever been. Why? Their stories about the West anticipated the California drought. At Salon, Gessner explains why, among other things, Stegner spent much of his life debunking Western individualism.
In the early eighties, when the writer James Lasdun was working in publishing, he rejected a book by a writer who turned out to be a pen name for Doris Lessing. The fallout? He couldn’t bring himself to read her work until this year. (Related: our own Mark O'Connell's interview with Lasdun about his latest book.)
"There is something terrifying but also fascinating about contemplating the end of humanity," and on Oct. 25th our own Edan Lepucki and Emily St. John Mandel (whose novel Station Eleven was just shortlisted for the National Book Award) will be discussing their recent apocalyptic fictions at the Texas Book Festival.