Buzzfeed interviews Naomi Alderman author of The Power, a 2016 book receiving heightened attention this year for its timely feminist premise. “In the book, women develop the ability to electrocute people at will, and as the dynamic between the genders shifts after centuries of oppression, women (finally) begin to take control back from men.” Why all the newfound attention? Alderman believes that it’s due to the subject matter and it being released in the States. ‘It’s only just been published in America and some American reviewers have responded to it as if it was written in response to Donald Trump, but in fact no, it was written before that. I think some of the things in the world have not changed and that is why you can mistake it for having been written yesterday.’ But she adds: ‘I think actually one thing that has really changed is that women are really fucking angry.'”
Amazon has just dropped the price on the Kindle yet again, but it comes with a big caveat. The Kindle can now be had for $114 if you select a version of the device that peppers you with special offers (Examples: $10 for $20 Amazon.com Gift Card; $6 for 6 Audible Books; etc). Before the purists out there go too crazy, it may be some consolation that these offers appear only on the home screen and screensaver; they don't interrupt reading.
Call it the Eat, Pray, Love effect for the nature lover. Cheryl Strayed fans are hiking the Pacific Crest Trail after being inspired by Wild. Strayed says she's received more than 1,000 emails from people ready to lace up their hiking boots, but a trail information specialist says he's only seen six women make the full trek.
“Imagine a society in which money has been banished. A society in which you would be arrested if you wear eyeglasses, if you wear ties, or if you speak a foreign language.” The Coffin Factory's Randy Rosenthal takes a look at Rithy Panh’s The Elimination, an autobiography focused on his adolescence during the reign of Cambodia’s Khmer Rouge.
Originally, the film 2001: A Space Odyssey included more narration by co-writer Arthur C. Clarke, whose short story "The Sentinel" was the basis for Stanley Kubrick's script. At the last minute, Kubrick decided to cut them out, which led to Clarke leaving the US premiere halfway through. In a piece for The New Statesman an old friend of Clarke's explores his side of the story. You could also read Ted Gioia on a weirdly predictive '60s sci-fi novel.