Buzzfeed interviews Naomi Alderman author of The Power, a 2016 book receiving heightened attention this year for its timely feminist premise. “In the book, women develop the ability to electrocute people at will, and as the dynamic between the genders shifts after centuries of oppression, women (finally) begin to take control back from men.” Why all the newfound attention? Alderman believes that it’s due to the subject matter and it being released in the States. ‘It’s only just been published in America and some American reviewers have responded to it as if it was written in response to Donald Trump, but in fact no, it was written before that. I think some of the things in the world have not changed and that is why you can mistake it for having been written yesterday.’ But she adds: ‘I think actually one thing that has really changed is that women are really fucking angry.'”
“[H]is authentic education as a reader began not while he was a history major at N.Y.U. or working at a literary agency in Manhattan but at the Green Haven Correctional Facility, in Stormville, New York. There, he offered, he had read a thousand and forty-six books.” Alex Halberstadt writes about “A Prisoner’s Reading List” for The New Yorker. It’s available online, and soon a lot more New Yorker articles will be too.
We’re pleased to announce a new feature here on The Millions, “Ask the Writing Teacher.” Our own Edan Lepucki will now be taking your questions about all things writing related, dialogue, plot, point of view, or other elements of writing that might be putting a pickle in your prose. Send your questions her way at askthewritingteacher[at]gmail[dot]com
Does a writer make the city or does the city make the writer? At Grantland, Michael Weinreb discusses why Elmore Leonard is the ultimate Motor City writer and discovers Leonard’s Detroit. “Without his books, the city would still have suffered the same hellish decline. But because of him, that suffering was rendered into an art form all its own.” Pair with: Our own Bill Morris writing against Detroit’s ruin porn reputation.
“For Groff, it is not that there’s a clearly delineated line between the universal and the particular, but rather that they are nested like Russian dolls: every story of the particular is also an iteration of the universal.” This review of Lauren Groff’s Fates and Furies from 3:AM Magazine is great. Our interview with Groff from a few weeks ago makes a nice complementary read.