Buzzfeed interviews Naomi Alderman author of The Power, a 2016 book receiving heightened attention this year for its timely feminist premise. “In the book, women develop the ability to electrocute people at will, and as the dynamic between the genders shifts after centuries of oppression, women (finally) begin to take control back from men.” Why all the newfound attention? Alderman believes that it’s due to the subject matter and it being released in the States. ‘It’s only just been published in America and some American reviewers have responded to it as if it was written in response to Donald Trump, but in fact no, it was written before that. I think some of the things in the world have not changed and that is why you can mistake it for having been written yesterday.’ But she adds: ‘I think actually one thing that has really changed is that women are really fucking angry.'”
Reading The Power in 2017
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At Full-Stop this week, an interview with Joshua Cohen, whose new book, Four New Messages, spans “a wide geographic and narrative terrain.” Back in August, Johannes Lichtman gave his own take on the collection, as did Shannon Elderon at The Rumpus.
Septuagenarian Akutagawa Prize Winner
Paging Sonya Chung and the rest of the Bloom gang: one of this year’s Akutagawa Prize winners is a seventy-five year old woman named Natsuko Kuroda. How’s that for a Post-40 Bloomer? (h/t Dustin Kurtz)
Your Kahlo and My Kahlo
If you live in London, and you like the idea of a play in which “two women [try] to put on a one-woman play about Frida Kahlo in whom neither of them is really interested,” you should stop by the Bridge House Theatre, which is playing Chris Larner’s The Frida Kahlo of Penge West until November 23rd. At the LRB blog, Rosemary Hill provides a brief review.
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Nebulous Plotlines
You’ve probably heard it before: never end a story with the phrase “it was all a dream.” Unfortunately for the person who taught you this rule, many classic stories (including Anna Karenina) take place at least partially in dreams. In the NYRB, Francine Prose investigates the trope in fiction.
The Novel’s Topography
For at Blunderbuss Magazine, What Belongs to You author Garth Greenwell goes through his old notebooks and describes his creative process. Also check out Jameson Fitzpatrick’s review of the novel.
Is Korean Literature About to Break Out?
Thanks in part to Dalkey Archive Press’s recently announced Library of Korean Literature, works from Korea are poised to reach a broad and welcoming international audience as never before. Yet the country is still “pin[ing] for its own world-famous writer,” writes Craig Fehrman. Perhaps Kim Seong-kon is just what the doctor ordered.
On my to-read list. At the moment I am reading The Beauty Mith
Wouldn’t electrocuting people to death be murder, i.e., illegal, and so how would them having this power be any different from the real world as it exists today? I’ve never shot anybody but I have fired some guns and it’s not especially hard, and I’ve seen women do it, so it would seem women already have the ability to kill people by shooting them (or by poisoning them or running them over with cars–there’re many way to kill people). Is there some special dispensation for killing people by electricity that permits women to do so in the world of this book without legal repercussions? Because otherwise it wouldn’t differ from the common reality that we all know.