“Their reporting led to Mr. Weinstein’s firing and set off a national conversation about the prevalence of sexual assault and harassment.” New York Times reporters Jodi Kantor and Megan Twohey will publish a book with Penguin Press about the recent sexual abuse and harassment allegations that have rocked the country. From our archives: Hannah Gersen‘s essay about seeing and hearing women in film.
What inspired Samuel Clemens to change his name to Mark Twain? Was it a Mississippi riverboat captain? Did he earn it by “drinking at a one-bit saloon in Virginia City, Nevada?” Or, as rare book dealer Kevin Mac Donnell now alleges in the new issue of Mark Twain Journal, did the author find his pseudonym in a popular humor journal?
From icy Philadelphia, some links to start the day:The latest round at the LBC is over, but we’ve posted our nominees for the next round. Read the books now so you can discuss them with us in a month or so. I was a nominator this round and my pick is The Cottagers by Marshall N. Klimasewiski.An Ask Metafilter thread on books by women for men who don’t like books by women. Lots of good recommendations… Might do a separate “booklist” post here at some point compiling all those suggestions.Dan Wickett’s Dzanc Books has two more titles on the way, one by Yannick Murphy who wrote LBC nominee Here They Come and one by Wickett fave Peter Markus (who he mentioned in his 2006 best of here at The Millions.)Combining Garfield and reference books seems like a bad idea. Note: A groundbreaking work in that it is the “1st dictionary with attitude” (via)
Writing for Banned Books Month on the PEN American Center’s blog, our own Lydia Kiesling discusses Judy Blume’s Forever. It’s a book many have “lobbied vigorously to pry … out of the hands of enthralled youth since 1975,” Kiesling writes, which should prove that such lobbyists “weren’t very good readers” in the first place.
The Guardian reports that Harper Lee is suing the local museum in her Alabama hometown. The octogenarian author of To Kill a Mockingbird, who currently resides in an assisted-living facility, claims that the museum is profiting off her fame without providing her due compensation.