“And that might be the best way to understand Erdrich’s artistic project: as a celebration of beauty and a testament to the redemptive power of art — which, of course, includes storytelling.” Rumaan Alam interviews Louise Erdrich about her illustrious writing career for Buzzfeed Reader. Erdrich’s newest novel Future Home of the Living God was featured in our November Preview.
Guillermo del Toro's next film will bring us to Tralfamadore. He is adapting Kurt Vonnegut's Slaughterhouse-Five with Charlie Kaufman writing the script. "I love the idea of the Tralfamadorians to be ‘unstuck in time,’ where everything is happening at the same time. And that’s what I want to do,” del Toro told The Daily Telegraph.
Karen Russell is everywhere these days. She’s sharing her favorite books about Florida with The New York Times, she’s being interviewed about her writing process on our site, and she’s publishing short fiction for Electric Literature’s Recommended Reading blog. Oh, and she has a new book out, too, as you might have heard.
Patrick Bateman as internet troll? I could see it. Bret Easton Ellis, author of American Psycho, stopped by Town and Country to muse over how an early-twentieth century Patrick Bateman might behave a bit differently: "I check in with Patrick every now and then—as with this article you're reading—but he has been living his own life for some time now, and I rarely feel as if I have guardianship over him, or any right to tell him where he would or would not be today, decades after his birth."
When Adrienne Raphel got to the Iowa Writers’ Workshop, she found a group of writers as addicted to fonts as she was. Over time, a “font subculture” developed among the poets, who settled on particular fonts as their signatures, at least for a while. At The Paris Review Daily, she writes about her typographic bent. Pair with our own Garth Risk Hallberg on the use of fonts in publishing.