Out this week: Infinite Ground by Martin MacInnes; Shadowless by Hasan Ali Toptas; Start Without Me by Joshua Max Feldman; The Letters of Sylvia Plath: Volume I; and Uncommon Type by Tom Hanks. For more on these and other new titles, go read our most recent book preview.
Tuesday New Release Day: MacInnes; Toptas; Feldman; Plath; Hanks
The Chekhovian Rules of Writing
Anton Chekhov's rules for writing, as seen in an 1886 letter to his brother, include "total objectivity," "extreme brevity," and, of course, "compassion."
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A Weary, Frumpy Civil Servant
J.K. Rowling’s new play will not, as everyone had imagined, be a prequel to the Harry Potter series. Instead, it will be a sequel, with the main action taking place 19 years after Harry Potter and the Deathly Hallows and focusing on Harry’s youngest son, Albus Severus. Here’s a self described “jaded, contrarian” take on Rowling and the series as a whole from The Millions.
The So-Called Elite
n+1 provides a fascinating study of today’s divisive concept of cultural elitism: “Today, though, it’s the bearers of culture rather than the wielders of power who are taxed with elitism. If the term is applied to powerful people, this is strictly for cultural reasons, as the different reputations of the identically powerful Obama and Bush attest. No one would think to call a foul-mouthed four-star general an elitist, even though he commands an army, any more than the term would cover a private equity titan who hires Rod Stewart to serenade his 60th birthday party.”
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Goodbye to Naples
Recommended Reading: Year in Reading alumna Elissa Schappell interviews Elena Ferrante about feminism, friendship, and her latest Neapolitan novel. Pair with Cora Currier’s essay on reading Italy through Ferrante’s books.
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Tracy Morgan’s Brother From Another Mother
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More Than Light
“Romance heroines hold jobs. They teach, farm, practice law, work independently as private detectives, or they are involved in the arts, in dance, in theater. They are mothers, ex-wives, Marines. They take up causes and they always want something ‘more’ from their lives—and we aren’t just talking about a partner. In today’s romance, the relationship is part of—and often, a catalyst for—a woman’s journey, not her destination.” On the value of romance fiction.
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