Out this week: The King Is Always Above the People by Daniel Alarcón; In the Midst of Winter by Isabel Allende; The Kites by Romain Gary; Blood Brothers by Deanne Stillman; The Art of Loading Brush by Wendell Berry; and a new edition of our own Garth Risk Hallberg’s A Field Guide to the North American Family. For more on these and other new titles, go read our most recent book preview.
Tuesday New Release Day: Alarcón; Allende; Gary; Stillman; Berry; Hallberg
New Stoppard on the Way
A new Tom Stoppard play entitled “The Hard Problem” will open next January at the UK’s Dorfman Theatre. The production will be Stoppard’s first new play since “Rock N’ Roll” in 2006.
Tastes Like Nostalgia
“Titles hitting shelves in the coming months are both updating heirloom recipes for a modern age, and modern kitchens, and bringing untouched dishes back into the spotlight.” Publishers Weekly highlights the resurgence of retro cookbooks as well as upcoming titles that put contemporary spins on vintage recipes. From our archives: Hannah Gersen‘s list of literature masquerading as cookbook.
Where In The World Is That Book Going?
The Book Depository is “the UK’s largest dedicated online bookseller,” which is all well and good, but their live visualization of which customers are ordering what (and from where) might be the best part of the entire website.
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Tuesday New Release Day: Ferrante; Clegg; Meno; Salesses; Jaffe; Franzen
Out this week: The Story of the Lost Child by Elena Ferrante; Did You Ever Have a Family by Bill Clegg; Marvel and a Wonder by Joe Meno; The Hundred Year Flood by Matthew Salesses (who recently wrote for us); Dryland by Sara Jaffe; and Purity by Jonathan Franzen (which we reviewed). For more on these and other new titles, check out our Great Second-Half 2015 Book Preview.
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Fitzgerald Ales
We all know F. Scott Fitzgerald would’ve made a great drinking buddy but how about a microbrewer? Here’s his prohibition ale recipe. It gets the job done, but Jay Gatsby probably wouldn’t buy this hooch.
Takeaway Point
Zadie Smith could write herself out of a Chinese takeout box, and that’s exactly what she does in her essay on the differences between British and American takeout culture, “Take It Or Leave It,” for The New Yorker. “I don’t think any nation should elevate service to the status of culture.”
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The Declining Agony of Influence
According to a study cited in The Guardian, contemporary authors are less likely to be influenced by classic literature than previous generations of writers.