Stephanie Danler’s best-selling, semi-autobiographical novel, Sweetbitter, has been given the green light by Starz network for a six-episode series. “As she learns the ropes of restaurant work, [Tess] falls for bad-boy bartender Jake, and makes her first forays into wine, drugs, lust, betrayal and adulthood,” writes the Los Angeles Times. Pair with Jason Arthur‘s essay on novels about work.
At Bookforum, Rebecca Donner talks with former Granta editor John Freeman about his new book of interviews, How to Read a Novelist. Freeman says that he enjoys interviewing writers in their homes because it allows him to observe them more closely: “The writer thinks you're taking notes about what he's saying, but you're really writing, ‘His head looks like a lion's head.’”
A few days ago, Amazon announced the launch of their new "@Author" feature for the Kindle, whereby readers can click on an e-book passage and ask the author questions about it directly. I've broken out in a cold poststructuralist sweat about this over on The New Yorker's Book Bench blog.
Following the example of Flaubert, whose Dictionary of Received Ideas compiled the clichés of its day, Teju Cole set out on Monday to record his own clichés on Twitter. At Page-Turner, he sums up his experiment in a blog post. (You may recall that this is not the first time Cole has won acclaim for his Twitter account.)
Out this week: Our Little Racket by Anjelica Baker; Flesh and Bone and Water by Luiza Sauma; Night Thoughts by Wallace Shawn; The Supremes Sing the Happy Heartache Blues by Edward Kelsey Moore; and New Collected Poems by Marianne Moore. For more on these and other new titles, go read our most recent book preview.
What is the price of diversity? Colleen Muir asks this question at The Rumpus in relation to the hefty cost of writers’ conferences. A piece of her essay: “I’m not claiming that Breadloaf [sic] lacks for talent, or that its writers don’t have interesting things to say. But it certainly lacks for diversity in at least one significant way, because most attendees share a privileged experience of the world.” Pair with Gail Gauthier’s essay on working in the kitchen crew at Bread Loaf.
“The problem, however, lies in the fact that, whenever these labels are internalized by those in positions of power, they flatten a writer’s experiences. They shrink someone to just a sliver of his or her identity.” On the limited opportunities for writers of color.