Stephanie Danler’s best-selling, semi-autobiographical novel, Sweetbitter, has been given the green light by Starz network for a six-episode series. “As she learns the ropes of restaurant work, [Tess] falls for bad-boy bartender Jake, and makes her first forays into wine, drugs, lust, betrayal and adulthood,” writes the Los Angeles Times. Pair with Jason Arthur‘s essay on novels about work.
“Throughout the Crash, I wrote free-hand, not caring about the style or if something I wrote in the afternoon contradicted something I’d established in the story that morning. The priority was simply to get the ideas surfacing and growing. Awful sentences, hideous dialogue, scenes that went nowhere – I let them remain and ploughed on.” Newly minted Nobel laureate Kazuo Ishiguro on writing The Remains of the Day in four weeks.
“That no-way-out is really the difference between boys and girls in working-class culture, because a working-class boy could run, or could when I was growing up.” Guernica interviews Dorothy Allison about literature as glory; survival, opportunity, and gender; and working-class heroes vs. heroines. For your reading consideration: Bill Morris‘s essay on the riches of “white trash” literature.
Not every Craigslist ad is noteworthy, but this property listing, titled “Gorgeous Rural Mountain Acreage” and hailing from Kentucky, is a notable (and sobering) exception. Full-Stop republished the whole thing, which includes warnings that “bears are known to be about” and “beautiful water seeps.”
Our friends at More Intelligent Life tot up the most common titles found on New York’s street-corner book stalls.
What happens if your town’s reputation was made by an author who hated it? Sinclair Lewis grew up in Sauk Centre, Minnesota and scathingly satirized it in Main Street (our Modern Library Revue of it), but it’s the town’s only claim to fame nearly a century later. At The Morning News, Matt Ray Robison visits.