Out this week: The Windfall by Diksha Basu; Quiet Until the Thaw by Alexandra Fuller; The Destroyers by Christopher Bollen; River Under the Road by Scott Spencer; The Confusion of Languages by Siobhan Fallon; and Modern Gods by Nick Laird. For more on these and other new titles, go read our most recent book preview.
A couple dozen leading literary magazine editors recently found themselves debating “submission fees” in a long, heated, and candid listserv discussion. The complete transcript – names have been changed to protect the innocent – is alternately depressing and heartening. It’s a must-read for anyone who publishes in little magazines, or plans to, or is just curious about how editors see themselves. (Update (11/12): Apparently, the literary magazine that published this content on its website had not been authorized to do so by the Council of Literary Magazines and Small Presses, which administers the listserv. The content has since been taken down; we’ve de-activated the link to reflect that.)
Riffing on R&B singer Ernie K-Doe’s one-time statement, Chris Rose writes in the Oxford American, “I’m almost positive that all music, at least all American music, comes from Louisiana.” The essay appears in this year’s OA Southern Music Issue, a reliably excellent source of tunes and writing. Indeed, as Dwight Garner put it in The New York Times, the CDs that accompany each annual issue “practically belong in the Smithsonian.”